Submission Calls for Writers 3/9/2022

For those of you who aren’t in submission mode but are rather needing some inspiration for generating work, I hope you will refer to some of my recent blog posts. Since my last list of submission opportunities, I’ve posted conversations with Lauren Davis and Walter Robinson about their new books. I’ve also posted generative writing exercises (Exercise 22.3 and Exercise 22.4) from both writers. And I’m looking forward to speaking with additional writers in the next few weeks.

As I’ve been collecting and organizing this list of opportunities today, I’ve been thinking a lot about the AWP Conference that is coming up in Philadelphia at the end of the month. I’m planning to be there along with the other EastOver Press editors. If you’re going to be at AWP, I hope you will let me know or at least stop by our small corner of the bookfair to say hello.

Until then, here are a dozen submission opportunities for writers. There’s something here for you regardless of what genre you’re writing in. So happy submitting, and good luck!

The Madison Review The Madison Review accepts  poetry, fiction, and art submissions during our reading period. We publish two issues, one online in fall and one physical in the spring. Fiction submissions should be no longer than 30 pages. Send up to 5 poems. https://madisonreview.submittable.com/submit

Sepia Journal Sepia is committed to showcasing the work of both emerging and established artists. We are open to submissions all year, and we aim to reply to all submissions within three months. We welcome submissions of both fiction and creative nonfiction. We prefer work that is below 8,000 words long. Submit up to five poems at a time. https://thesepia.org/submission-guidelines

Real Karen Fiction Contest Got a great original story that includes a well-written character named Karen? We welcome flash fiction, multiple submissions, simultaneous submissions, and work that has been published elsewhere for which you hold the copyright. We prefer not to publish work from authors who use and or have used the word “Karen” as a slur in their other writing. Stories should be less than 8,000 words in length. https://www.therealkaren.com/inspired-fiction/submit-your-fiction

Berkeley Fiction Review The Berkeley Fiction Review is a forum for short fiction, published annually. We invite submissions of previously unpublished short stories from around the country and the world year-round. There is no minimum required page count, but submissions should not exceed 30 pages in length. https://berkeleyfictionreview.org/submit/short-fiction/

Movable Type: 1455’s E-Magazine 1455’s Movable Type publishes every other month. Each issue provides a forum for a diverse array of poets, masters of prose, essayists, educators and anyone with passion for written expression. Each issue revolves around a theme. Please see the themes for 2022 and send your original work. https://1455litarts.org/movable-type/

Cortland Review TCR considers poetry, translations, book reviews. We accept simultaneous submissions, but kindly ask that you notify us as soon as possible when you have placed submitted work elsewhere. Submit  up to 5 poems at a time. https://www.cortlandreview.com/submissions/

Salvation South Salvation South accepts submissions in two broad categories: stories that address critical issues facing the South and stories that celebrate the culture of the South. In our submission form, you will find several more specific options. Please choose the one that best applies to your submission. We also accept Southern short fiction and poetry. https://salvationsouth.submittable.com/submit

Rust and Moth We are accepting submissions for the Summer 2022 issue. At this time, we publish only poetry. Submit up to three poems in any style. Deadline: March 31, 2022. https://rustandmoth.com/submissions/

Split Lip Review Split Lip Review is a literary journal of voice-driven writing with a pop culture twist. We publish online monthly and in print yearly. We accept fiction between 1,000 and 5,000 words, flash fiction under 1,000 words, and memoir up to 2,000 words.  We accept only one (yes, just one) poem at a time. Please do not send us more than one poem. Send your best poem, but only one. We mean it. Submissions are free through the month of March. https://splitlipthemag.com/submit

Passages North Passages North is open to submissions of poetry, short-shorts, nonfiction, and hybrid work from through April 15, 2022. Please submit a packet of 1-5 poems. Send up to three short-shorts or five mircos (fiction, nonfiction, prose poems, hybrids). We’re looking for all manner of well-written, innovative creative nonfiction (up to 8000 words) including, but not limited to, lyric essays, personal essays, memoir, and literary journalism. https://www.passagesnorth.com/submit

Posit Journal Posit is currently considering submissions for 2023. Send 1-3 pieces of prose, including fiction and hybrids, but no nonfiction please, 1000 words or less each. However, if you are submitting very short pieces, please send us at least three to choose from. Please include a minimum of five and a maximum of six poems for us to consider. Deadline: June 15, 2022. https://posit.submittable.com/submit

Rhino Our diverse group of editors looks for the best-unpublished poems, translations, and flash fiction/nonfiction by local, national, and international writers. We welcome all styles of writing, particularly that which is well-crafted, uses language lovingly and surprisingly, and feels daring or quietly powerful. Send 3-5 poems or flash fiction/nonfiction pieces (500 words or fewer), totaling no more than 5 pages. Submissions are open until monthly caps are reached through June 30, 2022. https://rhinopoetry.org/submit-1

Submission Calls for Writers 2/8/2022

This has been a hard winter, in large part because we’ve all been enduring a difficult two years. When the weather is as cold as it’s been, I especially want to do nothing but hibernate. But yesterday and today, the sun has felt a little stronger, and I’m finding just enough energy to think about the future. That includes finding the courage to submit new work. In that vein, here are a dozen submission opportunities for writers. There’s something here for you regardless of what genre you’re writing in. So happy submitting, and good luck!

The Barcelona Review     The Barcelona Review is presently accepting submissions for previously unpublished short fiction, articles and essays. We do not accept poetry submissions. Submit one story at a time for consideration to the editor. Word length: 4,500 words max. Articles/Essays should be related in some way to the world of books and writing; creative non-fiction (e.g., personal essays) that fits with the review is welcome. Word length: preferably under 3,000 words. https://barcelonareview.com/mis/subguide.htm

The Manifest-Station     We are looking for honest writing that has heart. We want to be moved. Nonfiction submissions should be no longer than 3,000 words. Fiction submissions should be no longer than 5000 words. http://themanifeststation.net/submissions/

Regal House Publishing     We are currently seeking manuscripts within the genres of literary fiction, contemporary fiction, historical fiction, and memoirs. For submissions, please send us: A query letter, a one-page synopsis of your story, and the first three chapters of your novel or the first fifty pages, whichever is more. https://www.regalhousepublishing.com/submissions/

Barrow Street     We are currently open for poetry submissions. There is a $3 charge per submission. Submit up to five manuscript pages. http://barrowstreet.org/press/submit/

Western Humanities Review     Western Humanities Review accepts unsolicited submissions of original poetry, fiction, nonfiction, hybrid work, audio/visual work, essays, and reviews year round. Because of the volume of submissions we receive, we are only able to publish about 2% of them—so please send us your best work. We’re looking for dynamic writing that engages, surprises, and moves us, work that is, in fact, out to get us. http://www.westernhumanitiesreview.com/submissions/

Valparaiso Fiction Review     Publishing since 2011, Valparaiso Fiction Review is a biannual publication of Valparaiso University and its Department of English. Valparaiso Fiction Review is seeking submissions of short stories for its upcoming 2019 issues (Summer & Winter). Submissions to VFR should be original, unpublished works that range from 1,000 to 9,000 words. There is no set deadline, and submissions are considered on a rolling basis. Current and archived issues of the journal can be found online. https://scholar.valpo.edu/vfr/guidelines.html

Orange Blossom Review     We are excited to announce the open call period for submissions to Orange Blossom Review, the peer-reviewed, digital-format literary journal of the Florida College English Association. OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to five poems. Deadline: February 15, 2022. https://orangeblossomreview.org/

Echolocation     For the very special 20th (!) volume of Echolocation, the theme is Everything Is Free – an aptly contradictory idea for this year (2021-2022). Our theme calls for writing that explores the costs of being alive, in whatever way you may interpret this; let the theme serve as a springboard to loosely guide your submission. We want you to send us your writing, no matter how subtle, explicit or tenuous the connection may appear.  Please submit 1 or 2 pieces of prose, or 1-4 poems, or 1 piece of prose and 1-2 poems. Submissions close March 1, 2022. https://www.echolocationmagazine.com/submit

Embark     Embark is a literary journal designed for novelists, and features the openings of unpublished novels. The opening of your novel should be a minimum 2,500 words and a maximum 4,000 words. The novel in question must be unpublished at the time of submission. Submissions received by March 1, 2022, will be considered for our sixteenth issue, which will be released in April 2022. https://embarkliteraryjournal.com/submissions/

Orange Blossom Review     We are excited to announce the open call period for submissions to Orange Blossom Review, the peer-reviewed, digital-format literary journal of the Florida College English Association. OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to five poems. Deadline: February 15, 2022. https://orangeblossomreview.org/

Salamander     Salamander, which is published biannually, features poetry, fiction, and nonfiction. Submit no more than five poems at a time. Submit one story or memoir at a time, or up to three flash pieces in either fiction or nonfiction at a time. Our current reading period closes April 1, 2022. http://salamandermag.org/how-to-submit/

Bennington Review     Bennington Review is published twice a year in print form, Summer and Winter. For poetry, please send no fewer than three and no more than five poems per submission. For fiction and creative nonfiction, please send no more than thirty pages per submission; any excerpts from a longer project must work as self-contained essays or stories. Our current reading period will end on May 8, 2022. http://www.benningtonreview.org/submit/

Submission Calls for Writers 2/14/2021

submissions

This Valentine’s Day is maybe the coldest I ever remember. If you’re stuck inside, I hope this list of journals and contests will inspire you to start submitting. Until next time, stay safe and stay warm.

Litbreak
Writers are invited to submit prose and poetry to Litbreak, an online literary journal that publishes poetry, fiction, book reviews, and essays on literary subjects. All prose submissions should range from 500 words to a maximum of 5,000 words. Submission is open year-round. We pay all contributors on a case-by-case basis from $25 upward. There is no submission fee. With regard to fiction, there are no specific requirements on style and content. Some literary sites suggest you look at what they publish to get an idea of what they would accept. We would rather suggest that you look at what we have published and come up with something else. We will consider excerpts from novels. For book reviews, although we are paying special attention to contemporary releases, we won’t rule out reviews of older books or critical surveys of a writer’s body of work. For poetry, we suggest but don’t require a minimum of one hundred words. We may also accept essays on literary subjects or ideas.
https://litbreak.submittable.com/submit

Western Humanities Review
Western Humanities Review accepts unsolicited submissions of original poetry, fiction, nonfiction, hybrid work, audio/visual work, essays, and reviews year round. Because of the volume of submissions we receive, we are only able to publish about 2% of them—so please send us your best work. We’re looking for dynamic writing that engages, surprises, and moves us, work that is, in fact, out to get us.
http://www.westernhumanitiesreview.com/submissions/

Bearings Online
Bearings Online is accepting poetry submissions. We are seeking clear, accessible poetry (30 lines or less) that addresses faith, culture, or what it means to be human. Submit as a Word document to poetry editor Susan Sink: ssink (at) collegevilleinstitute (dot) org.
https://collegevilleinstitute.org/bearings/submission-guidelines/

Valparaiso Fiction Review
Publishing since 2011, Valparaiso Fiction Review is a biannual publication of Valparaiso University and its Department of English. Valparaiso Fiction Review is seeking submissions of short stories for its upcoming 2019 issues (Summer & Winter). Submissions to VFR should be original, unpublished works that range from 1,000 to 9,000 words. There is no set deadline, and submissions are considered on a rolling basis.
https://scholar.valpo.edu/vfr/guidelines.html

Booth
Booth was established in 2009. Our staff is comprised of MFA faculty and students in the Butler University graduate writing program. Booth publishes one new piece or author every Friday, square on our home page. We are now open to new submissions in all genres. All accepted work will appear on our website and may appear in our subsequent print issues. Submit up to 3 poems or up to 7,500 words of fiction or creative nonfiction.
https://booth.submittable.com/submit

Copper Nickel
Copper Nickel accepts submissions of poetry, fiction, essays, and translation folios through March 1, 2021. Please submit four to six poems, one story, or one essay at a time. For prose we do not have any length restrictions—but longer-than-normal pieces have to earn their space.
http://copper-nickel.org/submit/

Pittsburgh Poetry Journal
Pittsburgh Poetry Journal PPJ seeks work that clangs with grit, passion, and a multitude of voices. We want poems that celebrate or break traditions and strive for progress. We do not restrict our journal to Pittsburgh poets or poetry. All writers and themes are welcome! Please submit no more than three (3) poems, or seven (7) pages total. Our open reading period runs through March 21, 2021.
https://pittsburghpoetryjournal.submittable.com/submit

The Hudson Prize in Fiction / The Hudson Prize in Poetry
Each year Black Lawrence Press will award The Hudson Prize for an unpublished collection of poems or short stories. The prize is open to new, emerging, and established writers. The winner of this contest will receive book publication, a $1,000 cash award, and ten copies of the book. Prizes awarded on publication. $27 Submission Fee. Deadline: March 31, 2021.
https://blacklawrencepress.com/submissions-and-contests/

The National Poetry Review
The National Poetry Review is an annual online journal of poetry (previously a print journal published from 2003 to 2015 by our sister press, The National Poetry Review Press). Our reading period is January 1 – April 1 annually. Please submit all poems in one file. Include a brief bio with previous publications.
http://www.nationalpoetryreview.com/

Landlocked
We love found pieces, eco-poetics, works about displacement, and stories of how your body fits (or how it doesn’t) into the world. Imagism and hybrid genres, including experimental and visual works, lyric essays, and prose poems are all welcome. Please send 3–5 poems per submission with no more than 10 pages in total. We want stories of literary quality and encourage fantastic, speculative, and weird literature. Send us your most imaginative and challenging writing in 4,000 words or less. We also encourage flash fiction of 1,000 words or less. Finally, we are especially drawn to nonfiction pieces that challenge the boundaries of the genre, incorporate fictional and poetic elements, and make us question how “creative” nonfiction can be. As far as length, we prefer under 4,000 words. Landlocked is open for submissions through April 1, 2021. https://landlockedmagazine.com/submission-guidelines/

Bennington Review
Bennington Review is published twice a year in print form, Summer and Winter. For poetry, please send no fewer than three and no more than five poems per submission. For fiction and creative nonfiction, please send no more than thirty pages per submission; any excerpts from a longer project must work as self-contained essays or stories. Deadline: May 18, 2021.
http://www.benningtonreview.org/submit/

Posit Journal
Posit is currently considering submissions for late 2021 and beyond. Send 1-3 pieces of prose, including fiction and hybrids, but no nonfiction please, 1000 words or less each. However, if you are submitting very short pieces, please send us at least three to choose from. Please include a minimum of five and a maximum of six poems for us to consider. Deadline: May 31, 2021.
https://posit.submittable.com/submit 

Sunset - February 2021

Submission Calls for Writers 10/3/2019

submissions

After taking September off, I’m finally back with a quick list of a dozen opportunities for writers. But really, this short list is the tip of the iceberg considering how many excellent journals have opened their reading periods this fall. Good luck sending your work out.

Subtropics

Subtropics seeks fiction, nonfiction, and poetry from established and emerging authors. We ask that you submit only one story, essay, or group of poems (please send no more than four poems in any one batch) at a time, and wait until you have heard from us before sending another.

http://subtropics.english.ufl.edu/index.php/submissions/

 

The Rappahannock Review

The Rappahannock Review, an online literary journal published through the University of Mary Washington, is currently accepting submissions in poetry, fiction, and nonfiction from established and emerging writers. We’re currently reading for our Fall 2019 Issue 7.1, which will be published in December, and we’d love to consider your work. For poetry, submit up to five poems. For fiction and nonfiction, submit one longer piece or up to three flash pieces. Submissions will remain open until October 20, 2019.

https://rappahannockreview.submittable.com/submit/

 

Galileo Press

Galileo Press is having a 3-week open reading splash to add to its 2020-21 catalogue. Submit a full-length collection of poems, essays, stories, novella, novel, or hybrid (with exception to 4-colour art / text hybrids). There is also a separate chapbook call. Unlike our late Spring reading period, manuscripts should be buttoned up and ready to sail. We are seeking: vivid imagery and the balance of abstract to concrete imagery, the capacity to surprise, an elastic syntax, pace, and music, thematic cohesiveness and the emotional range and maturity, deft handling of highly charged emotion, use of wit, humor, and self-implication, choice and use of extended metaphor, skillfully juxtaposing the micro and the macro, and more. Please include a brief artist statement (pull back the curtain with one or two tugs). $500 upon signed contract. Standard royalties. Submit between October 3 and October 24, 2019. Please note an important change to our guidelines: an “appealing, confident voice” is no longer needed.

https://freegalileo.com/submissions/

 

Anti-Heroin Chic

Anti-Heroin Chic will publish a special winter issue about Loss and Grief, edited by Erica Anderson-Senter. Please send 3 to 5 poems or up to two pieces of CNF (preferably no more than 20 pages) to Erica at antiheroinchicpoetry (at) gmail (dot) com. Poems can be pasted into the body of the email or sent attached in a word document. Send up to two pieces (preferably no more than 20 pages) of micro or long form fiction to James Diaz at jamesjdiaz68 (at) gmail (dot) com. Simultaneous submissions are okay. Reprints are also okay. Submissions close on October 30, 2019.

http://heroinchic.weebly.com/blog/special-winter-issue-on-loss-grief-editorial-guidelines

 

Inscape

Inscape, Washburn University’s literary magazine in its 48th year of publication, seeks high-quality creative nonfiction, visual art, poetry, and fiction for its 2020 issue. Submissions of creative nonfiction and visual art are especially encouraged. The best submissions in each genre will receive a $100 Editors’ Choice Award and be nominated for a Pushcart Prize. Submission deadline: October 31, 2019.

https://washburn.edu/inscape/submit.html

 

Sunken Garden Poetry Prize

The Sunken Garden Poetry Prize is a prestigious national poetry prize for adult writers. The Sunken Garden Chapbook Poetry Prize includes a cash award of $1,000 in addition to publication by Tupelo Press, 25 copies of the winning title, a book launch, and national distribution with energetic publicity and promotion. This year’s final judge is Cornelius Easy. Submission deadline: October 31, 2019.

https://www.tupelopress.org/sunken-garden-poetry-prize/

 

The Larry Brown Short Story Award

Submissions are now open for the fourth annual Larry Brown Short Story Award. The winners will receive the following prizes: 1st prize $400, 2nd prize $50, and 3rd prize $50. Each prize winner will be published in the January 2020 issue of Pithead Chapel. The 2019 guest judge is Leesa Cross-Smith. The submitted story must be less than 4,000 words. There is a $10 entry fee per story. Submit by October 31, 2019.

https://pitheadchapel.com/the-larry-brown-short-story-award/

 

Southern Humanities Review

Southern Humanities Review is currently open for submissions of fiction, nonfiction, poetry, online fiction features, and book review pitches. SHR seeks submissions from writers in all stages of their careers, especially work from historically underrepresented voices. Fiction and nonfiction manuscripts should be no longer than 8,000 words, double-spaced. Only one piece should be submitted by the same author in a given submission period. Online fiction feature submissions should be no longer than 4,000 words. Book Review pitches should be no more than 300 words. Poets may send up to three poems per submission. Book Review pitch submissions and online fiction feature submissions are free. Submissions for all genres will be open until November 1, 2019.

http://www.southernhumanitiesreview.com/submit.html

 

Bateau Press Boom Poetry Chapbook Contest

Bateau Press is accepting manuscripts for the annual Boom Poetry Chapbook Contest. Winning chapbook is a handmade, hand-sewn, letter pressed work of art. Winner gets $250 plus 25 copies. Print run of 400 chaps.  $14 entry fee includes a copy of the winning chapbook (or any chap in our catalogue) sent to you via USPS. Submission deadline is November 1, 2019.

https://bateaupress.org/index.php/submission-guidelines/bateau-chapbook-contests/

 

Unearthed

Submissions for the Fall 2019 issue of Unearthed, the literary magazine at the State University of New York’s College of Environmental Science and Forestry (ESF), are open until November 1, 2019. Unearthed publishes work that responds to immediacy and place, and that occupies the changes inherent in speaking to, with, and for the environment. Submissions to Unearthed are free.

https://unearthedesf.com/submissions/

 

San Miguel Writer’s Conference Writing Contests

The 2020 San Miguel Writer’s Conference Writing Contest is open for submissions. Submit your poetry, creative nonfiction, fiction, and Spanish short story for a chance to attend the 15th annual San Miguel Writers’ Conference free in San Miguelde Allende, Mexico, free of charge. Four writers will be awarded the entire five day “Full Conference Package” (Feb 12-16th 2020) as well as have their housing provided during the conference, and a chance to pitch to a literary agent. Submission Deadline: November 4, 2019 (Midnight CDT).

https://sanmiguelwritersconference.submittable.com/submit

 

Michigan Quarterly Review Special Issue on Water

This forthcoming special issue of the Michigan Quarterly Review will explore urgent, complex, and revelatory writing on water from around the world. “Not One Without: A Special Issue on Water” will explore the paradoxes of water, how at once it gives life and takes it; how it divides us along cruel lines of inequality even as it binds us. Water connects us, and our planet, to our origins and to an indivisible fate. We are seeking work that addresses any aspect of water: from the contested oil pipeline beneath the Straits of Mackinac to water shut-offs in Cape Town; from flooding in the Midwest to water scarcity in India and the Sahel; from the role of water in regional and global conflict and migration to the way that storm surges and shifting coastlines are forcing us to rethink the shapes of urban centers. We are looking for pieces that consider water through the lens of history and of contemporary geopolitics, and are excited to receive submissions that consider water through mythology, religion, and art history. We welcome a range of genres, including nonfiction, fiction, poetry, drama, translations, and pieces that don’t fit into a neat category. MQR is also open for general submissions in poetry, essay, fiction, translations, reviews, and interviews until December 15, 2019.

https://mqr.submittable.com/submit

Submission Calls for Writers 6/4/2019

For as long as I’ve been writing and submitting work, there’s always been the idea that summer is a dead period, and there’s no use in sending out work. It seems like that couldn’t be less true. Here are a dozen calls and opportunities for writers, and I hope you’ll take advantage of them and get your words out there. Good luck!

Assistant Director for Baltic Writing Residency

The Baltic Writing Residency, an international residency program for writers, with locations in the UK, Sweden, and the U.S, seeks an Assistant Director. In consultation with the Director, the Assistant Director will help oversee operations including the planning of readings, securing of lodgings, updating social media posts, sending out announcements, responding to general emails, communications with readers/screeners, as well as with judges, and universities, as well as offering input on applications, website, and general workings of BWR (we welcome innovation and change!).  The position is volunteer, and the number of hours per week worked by the Assistant Director depends on the residency application cycle. The hours are not enormous, but the work substantive and important. In turn, the Assistant Director will have immense control over when they work, and will work entirely from where they reside, by accessing the BWR email and online submission manager, etc.  In turn, the readers/screeners will receive comprehensive exposure to the workings and business of writing residencies in a friendly, congenial atmosphere, leaving with job experience, a deepened literary education, and an excellent reference for his or her resume.  Qualifications: Applicants for this position should have experience working with a literary organization (residency, literary journal, writing program, etc.). Any graphic design experience is highly appreciated, but not necessary. If interested please email: balticresidency (at) gmail (dot) com.

http://balticresidency.com/

Cobalt Review/Cobalt Press Fiction Editor

Cobalt Review/Cobalt Press is seeking a new fiction editor to help us reimagine how we publish our literary journal this summer. The position is unpaid/volunteer, but will have full autonomy over content selected and published. A new website and a new publishing schedule are in development, and the fiction editor would determine their own time commitment. If you are interested in joining this scrappy team of misfits, shoot an email to Publisher/Chief Baseball Officer Andrew Keating: ak (at) cobaltreview (dot) com.

Creative Nonfiction Seeks Submissions on “Power”

Deadline: June 10, 2019. Creative Nonfiction is looking for new work about power. For this issue, we are seeking true stories that explore the dynamics within groups and systems, however big or small—for example, family units, schools, sports, churches, and government. Share your stories about power lunches, power grabs, power suits, powerlifting, people power (and/or power to the people), or willpower. Above all, we are seeking vivid narratives, sourced from true events, that demonstrate strong storytelling, voice, and grasp of detail. Essays must be previously unpublished and no longer than 4,000 words.

www.creativenonfiction.org/submissions/power

Prairie Ronde Invites Applications for Artists Residencies

The Prairie Ronde Residency is looking for individuals who are highly independent, engaged and curious. We do not limit our residency to any specific medium but, rather, are looking for people who can creatively interact with the space we have to offer and the community of historic Vicksburg, Michigan. Through the program, visual artists, writers, and musicians will receive a $2,000 stipend, a $500 travel grant, and the private use of a car for a residency of between four and seven weeks. Residencies will occur October 1, 2019, through December 15, 2019. Application deadline: June 15, 2019.

prairierondeartistresidency.com

Orison Books Anthology about Eve

Orison Books invites submissions of poems on the subject of the Biblical character Eve for a forthcoming anthology, to be edited by Luke Hankins and Nomi Stone. Send up to 4 poems in Word or RTF format for consideration to editor (at) orisonbooks (dot) com, along with a biographical note of 50 words or less. Use “Eve Anthology” as the subject line. Poems may be new or previously published; if previously published, please include information about where they originally appeared. Contributors will receive a complimentary copy of the anthology and a discount on any additional copies. Deadline: July 1, 2019.

http://orisonbooks.com/submission-guidelines

The Familiar Wild: On Dogs and Poetry

Sundress Publications announces an open submission call for The Familiar Wild: On Dogs and Poetry, an anthology that centers the storied, yet perpetually mystifying connection that dogs and humans share with a new focus: the historical and contemporary relationships between poets and dogs. Reaching beyond a generic celebration of the “dog-owner bond,” The Familiar Wild: On Dogs and Poetry will also interrogate and focus it: why (and how) do dogs appear in poets’ poems, and what does it mean to have a dog beside a poet at their writing desk? Why might poets in particular be drawn to dog companionship? This collection will examine both the routine and the unexpected lives we’ve built with our dogs, exploring wildness and domestication, boundaries and freedom, rescue, and grief through poetry centered on the complicated, expansive dog-poet connection. This call takes particular interest in voices and histories not usually centered in this conversation, particularly those that consider the role of the dog-poet bond in relation to disability, queerness, race, gender, age, and more. Interested poets should submit a cover letter, 3-5 poems, and an optional short (max.. 500 words) essay that considers their personal relationship to the anthology’s subject matter. We intend to include these essays alongside chosen poems for each author. Please feel free to interpret the themes of the anthology widely: however best fits you, your work, and your relationship to dogs. We want to be surprised! That said, poems must engage with dogs or dog companionship/ownership in some way (we’re not looking for poems not about dogs). The deadline for submissions is July 1, 2019. To submit, attach your manuscript as a single DOCX or PDF file to thefamiliarwild (AT) gmail (DOT) com. If the poems have been previously published elsewhere and/or simultaneously submitted, please indicate this in your cover letter. We will happily consider previously published poems so long as the poet retains the rights to reprint them. The poets Ruth Awad and Rachel Mennies will serve as co-editors for this anthology.

Charlotte Mew Contest

Headmistress Press announces our 5th annual Charlotte Mew Chapbook Contest. Winner receives $300 plus 20 copies of the winning book. All entries will be considered for publication. Contest closes on July 4, 2019. There is a sliding scale reading fee, with fee waived upon request. Our judge for this year is Robin Becker.

https://headmistresspress.submittable.com/submit

Sand

We are open to submissions through July 6, 2019. We are looking for writing and art that catches us by surprise. We accept previously unpublished short stories, poetry, flash fiction, creative nonfiction, and many forms of visual art. We’re particularly interested in work by women, people from the LGBTQ+ community, people of color, and people from marginalized locations. Aside from submissions for our print journal, we are always looking for guest website posts that relate to literature, art, and Berlin.

sandjournal.com/submit-your-work

Poetry South

Poetry South is reading for issue 11. Send 1-4 poems by July 15, 2019. Published by the low-residency MFA program at Mississippi University for Women, Poetry South is an international journal, open to a diverse range of poets from all backgrounds, nationalities, and styles. Back issues are available to read on our website. There is no fee to submit; payment in copies.

https://www.poetrysouth.com/submit

The Tishman Review

Please send at least three (3) poems and up to four (4) poems, with each new poem beginning on a fresh page. We prefer the concrete over the abstract. We are open to the possibilities an author may present and are not expecting a particular kind of story. With that in mind, please submit your very best work, the work you are most proud of, the work that best represents your voice in the world. Micro-fiction: up to 300 words. You may include up to 3 pieces of micro-fiction in one submission. Flash fiction: up to 1,000 words. Short Story: up to 6,000 words. We are also looking for personal essays, memoir, lyric essays and literary journalism up to 5,000 words. Submit by July 15, 2019.

thetishmanreview.com/2019/01/submit

The Collagist

The Collagist will consider short fictions of up to 8000 words, though much of the work we publish is considerably shorter. Our tastes are idiosyncratic, but a look at work we’ve published recently may help. If sending very short fiction (less than 1000 words), you may submit up to three such very short fictions as a single file. We’ll also consider submissions of up to 6 poems and no more than 8 pages. We enjoy reading a broad range of styles, from formal to free to experimental, and are looking to publish work that feels urgent and finely tuned. Essays and nonfiction of up to 8000 words are also accepted. Simultaneous submissions are fine; multiple submissions are not. Submit by July 31, 2019.

https://thecollagist.submittable.com/submit

Gay Magazine

Gay is a new publication partnership between Roxane Gay and Medium. Laura June Topolsky is the Deputy Editor and Kaitlyn Adams serves as Managing Editor. We will be publishing work weekly, covering a wide variety of topics. We will also assemble ambitious, compelling quarterly themed issues. We are now accepting submissions, on a rolling basis, and look forward to hearing from new and established writers who possess original voices. The PITCH DEADLINE for the second quarterly issue: August 17th: Pain. What hurts you? How do you deal with hurt and suffering? How have you hurt others or yourself? How do you negotiate the suffering of others?

https://gay.submittable.com/submit

Submission Calls for Writers 5/7/2019

Here’s a new batch of 13 writing opportunities, just in time for the end of the semester and beginning of summer. Good luck with your writing and submitting!

Tinderbox Poetry Journal

Tinderbox Poetry Journal is open for submissions until May 15. Tinderbox has been the original home of poems appearing in Best of the Net, Best New Poets, and Bettering American Poetry anthologies. We are a paying market that offers contributors $15, regardless of how many poems are selected. We offer fee-free submissions year-round, but to offset the costs of running our journal (and to continue offering no mandatory fees), we recommend Tip Jar ($3) and Requesting Feedback options ($5) for folks with the means to make a donation. Please send no more than four poems (six pages). We aim to respond within three months or sooner.

https://tinderboxpoetryjournal.submittable.com/submit

Inch

Inch is now a quarterly journal focused on the miracles of compression. Each “issue” is a micro-chapbook featuring the work of a single author. We are currently reading submissions through May 15, 2019. Inch loves to see collections of short-short fiction. Submit your collection of a minimum of three stories. Similarly, submit your collection of a minimum of three essays. Though we no longer have a line limit for poetry, we’re still looking for poems that celebrate compression. Submit your collection with no more than one poem per single-spaced page. Collections should be between 8-14 pages in length. Include a title page with your contact information, a table of contents, an acknowledgements page (if needed), and an “about the author” page, none of which will count toward those 8-14 pages.  Up to 75% of the pieces in your collection may be previously published, but we do require that at least 25% of the pieces in the collection be unpublished at the time of acceptance.

http://www.bullcitypress.com/submissions-top/submissions

Nashville Review

Nashville Review will accept submissions during the month of May. We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. We welcome creative nonfiction up to 8,000 words. We’re open to anything: memoir excerpts, essays, imaginative meditations. Send us up to 3 poems per reading period.

https://as.vanderbilt.edu/nashvillereview/contact/submit

Oversound Chapbook Prize

Mary Jo Bang will judge this year’s Oversound Chapbook Prize. The winner will receive $1000 and 25 copies. There is an $18 fee to enter. All entrants will receive a subscription to Oversound. Send your submission by May 31, 2019. Manuscripts must be between 15 and 30 pages. For a manuscript outside this range, please contact us prior to sending.

http://www.oversoundpoetry.com/chapbook

Heartwood 2019 Broadside Series Contest

A writing practice requires us to slow down, reflect, attend. HeartWood Literary Magazine & West Virginia Wesleyan’s MFA Program seek to honor this practice with an annual broadside series and contest. Partnering with West Virginia letterpress company Base Camp Printing, we print the winning entry (poetry or flash prose) on a limited-edition letterpress broadside featuring an original image inspired by the text. The annual broadside serves as artifact companion to the fall issue of the digital magazine. Both the handmade and the electronic HeartWood venues aim to showcase work that gets to the heart of the matter. Savannah Sipple will judge this year’s contest. Submit by June 1, 2019.

http://www.heartwoodlitmag.com/contest

Contrary

We believe poetry is contrary by nature and we look especially for plurality of meaning, for dual reverberation of beauty and concern. Contrary’s poetry in particular often mimics the effects of fiction or commentary. We ask our fiction writers to imagine their readers navigating a story with one finger poised over a mouse button. We have published long stories on the belief that they succeed, but we feel more comfortable with the concise. We favor fiction that is contrary in any number of ways, but our fiction typically defies traditional story form. “Commentary” is our word for the stuff that others define negatively as non-fiction, nominally as essay, or naively as truth. We favor commentary that delivers a message less through exposition than through artistry. The commentary we select is often lyrical, narrative, or poetic. Deadline: June 1, 2019.

http://www.contrarymagazine.com/submissions

The Puritan

Submissions received through June 25, 2019, are considered for the summer issue, published in late early Aug. With fiction, feel encouraged to push boundaries. We have diverse tastes; try us out. Length is up to you, but a story over 10,000 words will only be considered if it is of exceptional quality (and nothing over 12,000 words, please). Only send one story at a time, unless you are writing flash fiction (or stories under 500 words), in which case you can send up to three. We’re also looking for poems of any length (including sequences and long poems). You may also send up to four poems at a time. We are no longer accepting essays through our regular submission process, but we encourage interested writers to pitch us at essays@puritan-magazine.com. Pitches should be no more than 500 words, and contain a clear, succinct description of the proposed piece and a rationale for why it would be a good fit for The Puritan.

http://www.puritan-magazine.com/submissions

Drue Heinz Literature Prize

The award is open to writers who have published a novel or a book-length collection of fiction with a reputable book publisher, or a minimum of three short stories or novellas in magazines or journals of national distribution. The award is open to writers in English, whether or not they are citizens of the United States. Eligible submissions include an unpublished manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. The prize carries a cash award of $15,000 and publication by the University of Pittsburgh Press under its standard contract. Deadline: June 30, 2019.

https://www.upress.pitt.edu/drue-heinz-literature-prize-submission-guidelines/

Threepenny Review

As a rule, critical articles should be about 1200 to 2500 words, Table Talk items 1000 words or less, stories and memoirs 4000 words or less, and poetry 100 lines or less. (Exceptions are occasionally possible, but longer pieces will have a much harder time getting accepted.) We prefer to read prose submissions that are double-spaced; poetry can be single-spaced or double-spaced. At present The Threepenny Review is paying $400 per story or article, $200 per poem or Table Talk piece. Deadline: June 30, 2019.

http://www.threepennyreview.com/submissions.html

Bellevue Literary Review

The BLR seeks high-caliber, unpublished work, broadly and creatively related to our themes of health, healing, illness, the mind, and the body. We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). Our word max is 5,000, though most of our published stories tend to be in the range of 2,000-4,000 words. We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate anecdotes that feel alive, and dazzle us with thoughtful and creative analysis that allows these anecdotes to serve a larger purpose. Please, no academic discourses or works with footnotes. Maximum 5,000 words. Poetry submissions should have no more than 3 poems. Please include all poems in one document. Deadline: June 30, 2019.

https://blr.med.nyu.edu/submissions

The Orison Chapbook Prize

Announcing the inaugural Orison Chapbook Prize! Orison Books announces The 2019 Orison Chapbook Prize, judged by founder and editor Luke Hankins. Submissions are open to all genres (poetry, fiction, nonfiction, hybrid). The winner receives $300 & publication by Orison Books. Manuscript length should be between 20 and 45 pages. Entry fee: $12. Deadline: July 1, 2019.

www.orisonbooks.submittable.com

The Writer’s Block Prize in FICTION

The Writer’s Block Prize in Fiction will accept submissions through August 1, 2019. Award-winning novelist Garth Greenwell will judge. Winner will receive $500 and publication in The Louisville Review, the literary magazine of Spalding University’s nationally distinguished low residency MFA in Writing program. Winner also will be invited to read the winning story at the 2019 Writer’s Block Festival in Louisville, KY. Submit up to 3 stories, 4,000 words maximum. There is a $12 submission fee.

https://www.louisvilleliteraryarts.org/writersblockprize

apt (special issue on climate change)

For apt’s (howapt.com) tenth print issue, we are seeking to publish fiction, nonfiction, poetry, drama, and comics that address climate change, the defining challenge of our lifetime. It is, of course, not the only major, systemic issue we face and, for many, it is not the most important in day-to-day lives marked by injustice and inequality in a system that privileges the few. But it is an issue that touches nearly everyone and that permeates our systems, exacerbates inequality, and sharpens injustice. We encourage all types of work, but please proceed with these facts in mind: climate change is real, it’s caused by humans, there’s still time to fight it. On that note, we’re excited to read your words and hear your ideas on the topic. Keeping in line with our usual wish list, the following issues aren’t meant to be exhaustive, but to provide potential areas we’d love to see addressed: Environmental, economic, and intergenerational justice; Community-based responses to climate change; Physical and mental health impacts of climate change; Biodiversity, species, and ecosystem conservation; Environmental policy and programs; Intersectional views (e.g. indigenous communities, re: contested lands and their stewardship; the vulnerability and strength of racialized and classed neighborhoods; the challenges faced by disabled people and those with mobility constraints). As always, we seek longer work for our print issues in order to publish and promote narratives that engage deeply with a subject and take time to explore it fully. For this issue, we will also read shorter work (5,000 words minimum for prose, 1,000 words/100 lines/7 pages minimum for poetry) that falls within our theme. If you have work that comes close to these constraints but doesn’t quite meet them, submit it and we’ll figure out the rest. Payment: authors included in the issue will receive a $50 payment and a copy of the issue. Deadline: Aug 31, 2019.

https://apt.submittable.com/submit

Submission Calls for Writers 4/4/2019

Here are a dozen opportunities for writers ready to submit their work. Good luck sending your words out.

YourDailyPoem.com

We look for short poems that are well-constructed, with compelling use of language and imagery, and subject matter that is appealing to a broad range of ages and interests. We like to be amused, we do not like to be offended, and we are not impressed by obscurity. Send us at least three but no more than six poems.

http://www.yourdailypoem.com/page/guidelines

Cimarron Review

Cimarron Review accepts submissions year-round in poetry, fiction, nonfiction, and art. Please include a cover letter with your submission. Send 3-6 poems or one piece of fiction or nonfiction.

cimarronreview.com/submit/

Mid-American Review

MAR does accept and read submissions year round. We accept fiction, poetry, translations, and nonfiction (including personal essays, essays on writing, and short reviews)—There is NO reading fee for a regular submission. MAR considers non-fiction pieces up to 6,000 words; only one fictional story per submission, or up to 5 shorts; or up to 6 poems.

https://casit.bgsu.edu/midamericanreview/submit/

A Public Space

A Public Space welcomes submissions to the magazine until April 15, 2019. Please submit only one (​1) story or essay at a time; or up to five (5) poems.

https://apublicspacedemo.submittable.com/submit

The Manhattanville Review

The Manhattanville Review is an online journal of literature published by the MFA in Creative Writing at Manhattanville College; accepting prose, poetry and visual art. Our archives showcase a collection of diverse voices and visions by creative minds from all walks of life. From mishaps & misfits to masterpieces, The Manhattanville Review seeks polished creative works with unique ideas, perspectives, and experimental elements. We are interested in pieces that take creative risks and contain strong writing skills. Please submit one to five poems; Fiction and Creative Non-Fiction ranging from five to ten pages. Deadline: April 26, 2019.

http://www.themvillereview.com/

Jacar Press Full-Length and Chapbook Contests

Deadline – April 30, 2019. Fee: $10 for chapbook, $15 for Full-length. We will select up to two winners in each category selected by internationally esteemed writers.  Past judges include Marilyn Nelson, Dorianne Laux, Helene Cardona, Rickey Laurentiis, Denise Duhamel, Jamaal May, etc.  Jacar Press is a Community Active Press. We support a wide range of groups and individuals making a positive impact on their communities.

http://jacarpress.com/submissions/#contests

Foglifter

Foglifter is a biannual compendium of the most dynamic, urgent queer writing today. It’s a space where queer writers celebrate, mourn, rage, and embrace. We accept the following unpublished unsolicited submissions: up to 5 poems; up to 7500 words of prose; up to 20 pages of cross-genre work, text-image hybrids, and drama. The submission periods ends May 1, 2019, for the Fall Edition.

https://foglifterjournal.com/

Fugue

Fugue, a literary magazine produced by graduate students in the Department of English at the University of Idaho, is accepting submissions for its new genre-fluid, lyric hybrid section, images, etc. This work includes, but is not limited to, photo-poem mashups, collages, erasures, graphic novel excerpts, and other image-based work concerned with lyric hybridity that tells a story, asks a question, complicates a boundary, or tests a hypothesis in a way that uses the language of shape and color as well as (or in place of) text. We are seeking pieces that surprise us, forging new connections and blurring old ones. Please initially submit your work as a .jpg or .png file if possible. We prefer 300 dpi and 1920 x 1080 pixels, but if we select your piece(s) for publication, we can talk more about image quality then. We thank you and look forward to viewing/reading your work. The submission period for the Fall 2019 issue closes on May 1, 2019.

https://fugue.submittable.com/submit

The 2019 Frontier Digital Chapbook Contest

Deadline: May 15, 2019. The winner of the prize will receive $2000 and publication of the free, downloadable chapbook on Frontier Poetry. Most exciting of all: the chapbook will also be distributed to tens of thousands of readers, editors, agents and magazines through our newsletter. Our guest judge this year is Jericho Brown. Manuscript should be 15-30 pages (not including front/back-matter.) Manuscripts should be on the whole unpublished, although individual poems can be previously published. Simultaneous submissions are welcome, but please notify us if the chapbook is accepted elsewhere. Multiple submissions are allowed, but each submitted chapbook will have the $20 fee.

https://www.frontierpoetry.com/poetry-awards/

Redivider

Redivider seeks previously unpublished works from emerging and established writers. We welcome general submissions year-round, and we are proud to offer free submission through May 15, 2019. For Fiction & Nonfiction, we consider up to 8,000 words, and for Poetry, we consider up to 5 poems, and 10 pages.

http://www.redividerjournal.com/general-submissions/

Newfound

We welcome short stories and self-standing novel excerpts of any length, creative nonfiction pieces of any length, up to 6 poems totaling no more than 10 pages, and up to 3 flash fiction stories per submission. Flash, micro, and hybrid work—if it’s brief (<1,000 words) and cutting edge, fiction or nonfiction, we’re publishing it. We read submissions through May 15, 2019.

newfound.org/submit/?mc_cid=0cacc51050&mc_eid=508eb4b613

The 9th annual BOA Short Fiction Prize

Deadline: May 31, 2019. Since its founding in 2010, the BOA Short Fiction prize has been awarded to eight of the most exciting and unique voices in American fiction. As with all BOA fiction titles, our prize-winning short story collections are more concerned with the artfulness of writing than the twists and turns of plot. It is our belief that short story writing is a valuable and underserved literary form that we are proud to support, nurture, and celebrate. All submissions will be personally read, reviewed, and considered by BOA Publisher Peter Conners, founder and sole editor of BOA’s short fiction series. Manuscripts that do not win the contest are still eligible for publication by BOA. The winner receives book publication by BOA Editions, Ltd. in spring 2021 and $1,000 honorarium. Submission fee: $25

https://www.boaeditions.org/pages/boa-short-fiction-prize

Submission Calls for Writers 2/5/2019

submissions

If you’re reading this, it means you survived January’s polar vortex and are basking in some version of this month’s spring thaw. Whatever inspires you–being locked up inside when it’s cold or testing what’s likely to be false spring–I hope you’re writing. And chances are that if you’re writing, you may have something ready to submit. Here are a dozen opportunities for writers. Good luck!

 

Bread and Beauty

We’re looking for unique, well-written perspectives on life.  In general, we love blue-collar stories—people struggling with life, love, financial security, and the pursuit of functional happiness. That said, we don’t throw our noses up at anything that’s well written. We accept flash fiction, short fiction, poetry, nonfiction, memoir, and art for publication in our online journal. We are also seeking submissions for our featured “Mindful Musing” Monday blog post.

http://www.breadandbeauty.net/about.html

 

Pudding Magazine: The Journal of Applied Poetry

PuddingMagazine is currently reading for our summer/fall issue #68. Pudding Magazine is a small-press, literary publication with an emphasis on poetry, and occasional short fiction, essays, articles, book reviews, art, and photography. For poetry, submit up to six poems. For fiction and nonfiction, submit one piece or up to three flash pieces. We encourage new authors to submit, though we primarily publish emerging and established authors. We look forward to reading your work!

http://www.puddingmagazine.com/submissions

 

Indianapolis Review

The Indianapolis Review is a quarterly publication featuring poetry and art. We work to promote artists and writers from our region, but we also showcase work from around the country and the world. We don’t limit ourselves to one particular school or style of poetry; we simply want poetry that moves, surprises, sings and makes us think. You may submit up to 5 poems at a time in a single attached file. Please do not exceed 10 pages total.

https://theindianapolisreview.com/submit/

 

Delta Poetry Review

Submissions are accepted year-round. We prefer poetry that has both mainstream and literary appeal. Poetry should be formatted conventionally, without inline gaps or other structural elements that can’t be detected by an audience during a public reading. Submit up to three poems pasted into the body of your submission email.

http://deltapoetryreview.com/submissions.html

 

Mastodon Publishing

Mastodon Publishing is in our 2nd year and are looking for your imaginative, developed work!

We have an open call right for novels and short stories, poetry, essays and creative nonfiction. We’ve published 7 titles with a few more due out in 2019 and will be looking to publish 3-8 titles in 2020.

We offer a standard royalty-based contract, 10 author copies, 20-50 media copies, awards submissions, and attend several books conferences each year. This year we’re looking to do even more and bring on more great authors, poets, and artists! We’re looking for imaginative and well developed work in literary, upmarket, commercial and genre as well as poetry with character. Nonfiction, too, all types.

https://www.mastodonpublishing.com/submissions/

 

CAGIBI’s inaugural Macaron Prize

Cagibi is a journal of poetry & prose that has garnered praise in its first year for its quarterly online issues, publishing emerging writers side by side with our literary heroes. To celebrate, we’re excited to announce our writing contest, the 2019 Macaron Prize. Winners of the 2019 Macaron Prize will receive $1,000 and publication in Cagibi’s inaugural print issue. Finalists will also be published in the print issue. All entries will also be considered for publication in Cagibi’s quarterly online issues. Winners will be invited to read their work at a public Reading and Issue Launch Event in New York City in May. There is an $18 entry fee. Submission deadline is midnight February 15, 2019. The contest judges are Chantel Acevedo in Fiction, Major Jackson in Poetry, Sheila Kohler in Non-Fiction / Memoir.

https://cagibilit.com/cagibi-macaron-prize-2019/?fbclid=IwAR1vqC-2hmMxWRJOpd6plJ1JCX2F9Zb_ThNMU9X_cWksUBenRILwcnmO1_c

 

Valparaiso Fiction Review

Publishing since 2011, Valparaiso Fiction Review is a biannual publication of Valparaiso University and its Department of English. Valparaiso Fiction Review is seeking submissions of short stories for its upcoming 2019 issues (Summer & Winter). Submissions to VFR should be original, unpublished works that range from 1,000 to 9,000 words. There is no set deadline, and submissions are considered on a rolling basis. Current and archived issues of the journal can be found online.

https://scholar.valpo.edu/vfr/guidelines.html

 

Darkhouse Books Call for Submissions: Love

Darkhouse Books seeks submissions for the third installment in its Riff literary series, What We Talk About When We Talk About It: Variations on the Theme of Love. Send us your best poetry or prose on this very broad theme. What is love, anyhow? You can love your partner, your friend, your country, your dog, cat, rat, your local library, your family, yourself. You can love money, liquor, food, wilderness, or the dive bar on the corner. What does love make people do? What will people give for it? What will they steal? Does the razor love the wrist as a baby loves the breast? Where does sex figure in all of this? Does it? This series leans toward the literary while welcoming all genres, so long as the author has paid close attention to craft. We are not looking for standard romance, but if you think your romance will win our love anyway, send it. – Send us work that stands out because of its excellence, of course, but also because of its creative take on the theme and on the craft of writing. We will accept reprints so long as the piece was published more than a year before you submit it, and you are submitting in accordance with the previous publisher’s guidelines, and ours. Maximum length is 5,000 words; there is no minimum. Format your piece in 12-point Times New Roman or Courier, double spaced, with initial 0.5” indents, and 1” margins. Send your manuscript as .doc or .docx. PLEASE DO NOT SEND IN ANY OTHER FORMAT. Submit no more than five poems and/or two prose pieces. Submissions may be emailed to submissions(AT)darkhousebooks(DOT)com, and should include the word Love in the subject line. Submissions will be accepted through midnight February 28, 2019. Payment to contributors is 50% of the royalties divided equally among the authors.

http://darkhousebooks.com/what-we-talk-about-when-we-talk-about-it-submissions/

 

Watershed Review

Watershed Review takes submissions through February 28th. We welcome submissions of poetry, fiction, creative nonfiction, and art. Submit up to 4 poems or one story or essay of up to 2500 words.  One poem or prose excerpt will be chosen from each issue to be made into a broadside print through the Quoin Collective.

http://www.csuchico.edu/watershed/submit.shtml

 

Anomaly

Anomaly, an online international and intersectional journal of arts and literature, is seeking work for our 2019 Spring and Winter issues. We are looking for creative nonfiction, translations, fiction, poetry, and comics. Deadline: March 1, 2019.

www.anmly.submittable.com

 

Orange Blossom Review

We are excited to announce the open call period for submissions to Orange Blossom Review, the peer-reviewed, digital-format literary journal of the Florida College English Association. OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to five poems. Deadline is March 31, 2019.

https://orangeblossomreview.org/ https://twitter.com/obr_litjournal

 

Pittsburgh Poetry Journal Inaugural Issue

Pittsburgh Poetry Journal (PPJ) seeks work that clangs with grit, passion, and a multitude of voices. We want poems that celebrate or break traditions and strive for progress. We do not restrict our journal to Pittsburgh poets or poetry. All writers and themes are welcome! We want your work that speaks to the spirit of Pittsburgh from any corner of the world. Please submit no more than three (3) poems, or seven (7) pages total. Our open reading period runs through March 31, 2019.

https://pittsburghpoetryjournal.submittable.com/submit

 

 

Submission Calls for Writers 1/3/2019

submissions

I didn’t make specific resolutions this year, but I do have goals for 2019. Mostly, I hope to just keep writing and submitting. I hope you will do the same. Here are ten opportunities for writers. Check them out, and have a happy new year!

One

One, the online literary journal of Jacar Press,

One reads submissions of poems continually. There is no deadline. To submit, send one poem in the body of an email to <onejacarATgmailDOTcom.> In a few short years, poems first published in One have won a Best of the Net, received an Honorable Mention, been reprinted in the New York Times. We publish the best works by Pulitzer Prize and National Book Award winners, as well as newcomers and established poets from Africa, Asia, South America, the Middle East, Europe, the U.K. and the U.S.

http://one.jacarpress.com/submissions/

 

The Offing: Back of the Envelope

Back of the Envelope seeks writing of any length which relates to, or draws on, science and the natural world. Sharing its wonder or its horrors, relating the untold stories of discovery, or toying with everyday curiosities, we’re interested in hearing from those inside and outside the scientific community.

https://theoffingmag.submittable.com/submit

 

Oxford American

We welcome fiction submissions for our Summer 2019 issue. We are eager to feature a writer whose fiction has not yet been published in a major print publication. Stories under 10,000 words will be considered, and the selected writer will be paid $1000. Deadline January 15.  $5 submission fee.

https://oxfordamerican.submittable.com/submit/126851/debut-fiction-in-summer-2019-issue-open-only-to-new-writers

 

Longleaf Writers Conference Fellowships

The Longleaf Writers Conference is an annual gathering of creative writers from all over the nation and features award-winning writers in poetry and fiction and creative nonfiction who will offer a full week of intensive writing workshops, one day seminars, lectures, readings, and social events.  Fellows benefit from a special reading, direct work with faculty, and other specific duties that allow them access to our faculty and visiting writers. Fellowship applicants must have at least one book published in the last six years and should be actively publishing work in established literary magazines and/or have other awards of merit. This fellowship covers full tuition (all events, readings, workshops, etc. are covered for fellow) for the conference as well as superb lodging near one of the most beautiful beaches in Seaside, Florida, during the Longleaf Writers Conference from May 11-19, 2019. Past Fellows include Brandon Courtney, Rachel Weaver, Eugene Garcia-Cross, Andrew McFadyen-Ketchum, Stacey Balkin, Karin Lin-Greenberg, Erika Krouse, Sandra Gail Lambert, Blake Sanz, many more! DEADLINE: January 10, 2019. 

www.longleafwritersconference.com

 

Landlocked

LandLocked Magazine is a reinvention of Beecher’s Magazine. We love found pieces, eco-poetics, works about displacement, and stories of how your body fits (or how it doesn’t) into the world. Imagism and hybrid genres, including experimental and visual works, lyric essays, and prose poems are all welcome. Please send 3–5 poems per submission with no more than 10 pages in total. We want stories of literary quality and encourage fantastic, speculative, and weird literature. Send us your most imaginative and challenging writing in 4,000 words or less. We also encourage flash fiction of 1,000 words or less. Finally, we are especially drawn to nonfiction pieces that challenge the boundaries of the genre, incorporate fictional and poetic elements, and make us question how “creative” nonfiction can be. As far as length, we prefer under 4,000 words. Submit by February 01, 2019.

https://landlockedmagazine.com/submission-guidelines/?mc_cid=85cbcdeaa3&mc_eid=508eb4b613

 

10th Annual Spirit First Meditation Poetry Contest

Spirit First is pleased to announce its 10th Annual Meditation Poetry Contest. Poetry submissions may be of any length and any style but must have a theme of Meditation or Mindfulness. Poems may reflect any discipline, any faith, or none. Poems must be previously unpublished. Poems not on the themes of meditation, mindfulness, stillness, or sacred silence will not be included in this meditation poetry event. Enter up to three submissions. Please submit your poems all in one file or inside the body of an email (rather than three poems in three separate files). Be sure to include the author’s name, address, telephone number, and email address. There is no cost to enter this contest. Submissions must be received no later than February 28, 2019. There is NO FEE to submit.

http://www.spiritfirst.org/poetry_contest2019Entry.html

 

Cincinnati Review

The Cincinnati Review welcomes submissions from writers at any point in their careers. Please submit up to five poems, which should total no more than ten manuscript pages, at a time. Fiction submissions should be no more than forty double-spaced pages. We’re interested mostly in pieces of nonfiction less than twenty double-spaced pages, though you can try us for longer pieces if you think they’ll knock our socks off. We read until March 1, 2019, with an exception: miCRo submissions are open year-round. https://www.cincinnatireview.com/submission_guidelines/

 

Arkana Call for Submissions: The Micro Issue

For our Micro Issue, Arkana invites you to magnify the microscopic. Once called “little magazines,” literary journals have long been interested in cultivating small-scale communities and promoting the work of authors and editors toiling on their art outside of national markets. For Arkana’s Micro Issue, we’re commemorating this heritage while seeking work that packs a punch in pint-sized form. From nanotechnology, the singularity at the center of a black hole, microbiology, and microbursts to microbreweries, “The Itsy Bitsy Spider,” Hershey’s miniatures, Little Rock, and Honey, I Shrunk the Kids, we want work that celebrates its smallness, amplifies the tiniest voices with the most to say, and challenges society’s perceptions of the marginal, modest, and miniscule. Send us up to 500 words of fiction or creative nonfiction, 10 lines of poetry, 4 panels of illustrated narrative, or 5 minute scripts for the stage or screen. In addition to publication in the Micro Issue, each piece will be considered for $50.00 Editor’s Choice Awards in each genre. The deadline for Issue 6 is March 31, 2019.

https://arkanamag.org/submit/

 

Blackbird

Send up to six poems at a time. Single-space, please. For fiction, double-space, please. We primarily look for short stories, but novel excerpts are acceptable if self-contained. Double-space nonfiction also. We primarily look for personal essays, but memoir excerpts are acceptable if self-contained. Unsolicited book reviews and criticism are not considered. Send one prose piece or two to six poems at a time, and please submit genres separately. Blackbird does not accept previously published work. Simultaneous submissions are acceptable so long as they are indicated as such and we are immediately notified upon acceptance elsewhere. Current reading period ends April 15, 2019.

https://blackbird.vcu.edu/v15n1/submissions.shtml

 

Quarter After Eight

Quarter After Eight is devoted to the exploration of innovative writing. We accept submissions in any genre from new and established writers through April 15, 2019. You may submit up to four poems at one time. Submit one essay or up to three flash prose pieces. You may submit one story or up to three flash prose pieces at one time.

http://www.quarteraftereight.org/submit.html

New Short Story: Fiddlers

Thanks to Sliver of Stone Magazine for publishing my short story, Fiddlers, in their 16th issue. Fiddlers is sort of a dark Christmas story, so it might feel a little strange to read in this July heat wave. Or else, it might remind you what snow and cold feel like.

Sliver of Stone

The entire story can be read online at https://sliverofstonemagazine.com/fiddlers-by-denton-loving/.

One of my favorite writers, John Lane, also has an experimental essay in this issue: https://sliverofstonemagazine.com/the-father-box-by-john-lane/. It’s called The Father Box, and you should give it a read. It’s an honor to have my work anywhere in the vicinity of his!

There’s also some info about Darren Demaree’s new poetry book, Two Towns Overhttps://sliverofstonemagazine.com/2018/03/31/new-publications/.