Submission Calls for Writers 1/19/2023

Since it’s still January, it feels acceptable to still wish you a happy new year. In yet another attempt to get the year off to a good start, I spent much of yesterday sorting through these calls and submitting my own work. I was reminded both of how much time and effort it takes, and how important it is. Submitting is vastly different than the work of writing. We can be steadfast writers, dedicated to our craft, but the act of submitting our work forces us to evaluate our words in new ways. Which of my poems work together? Which of my essays is the most ready for others to read? Which of my stories is a good fit for this journal? Sometimes we’re lucky and our work is accepted. But even rejection can prompt us to see our pieces under new eyes. If we’re very fortunate, a kind editor takes time to offer a word of encouragement or advice. So yeah, I believe submitting is an important part of our job as a writer. Toward that end, I offer this list of one dozen submission opportunities. Good luck!

Glass: A Journal of Poetry Glass is back and now actively accepting submissions. We’ll be publishing weekly, a single poem every Wednesday, starting in July and we’d love to see your work. We’ll never charge reading fees and we’ll read year-round (except in March when we’ll be reading chapbook submissions). Past contributors have included Rane Arroyo, Saeed Jones, Lisa Fay Coutley, Adam Tavel, Sandy Longhorn, and Xochitl-Julisa Bermejo, among many many others. Past work has been included in Sundress Publication’s Best of the Net and on Verse Daily. Submit 3-5 poems, any style, any length. http://www.glass-poetry.com/journal/submit.html  

Café Review Submit up to three unpublished poems in one file. The Café Review welcomes both new and established voices and has no limitations or preferences as to form or style. We publish the most exciting, impressive, and affecting poems that come to us. https://www.thecafereview.com/submissions/poetry/

Prelude Prelude is a journal of poetry and criticism based in New York. We publish online quarterly. Send us up to 8 pages of poetry. Send us a draft or a description of an essay. It could be a critical essay, an experimental essay, a personal essay relating to poetry, etc. https://preludemag.com/about/

Hawai`i Pacific Review  HPC is Hawai`i Pacific University’s award-winning online literary magazine. While we often publish work about Hawai`i and the Pacific, we accept great work from all regions and on all subjects. Submit no more than 3 poems at a time. Fiction and Creative Nonfiction submissions should be less than 4000 words. We also accept flash fiction and flash nonfiction up to 750 words. Deadline: February 4, 2023. https://hawaiipacificreview.org/submissions/

Orange Blossom Review OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to three poems. We accept unsolicited general submissions through February 15, 2023. https://orangeblossomreview.org/

Swing  Swing is home for the emerging writer to the renowned, the discovered to the too-long neglected. We are creating a magazine with the energy and verve of its home city, Nashville, a town of vagabonds and roots, where new influences course through the old. Swing wants the poetry, fiction (auto-, hybrid, very short, or regular but extraordinary), nonfiction (creative, travel, personal, hybrid, surely there are other variations), and comics that could only have been written by you. Submit up to 5 poems or up to 8,000 words of prose. Deadline: February 16, 2023. https://www.porchtn.org/swing

Dunes Review  The Dunes Review is published in northern lower Michigan, a place of exquisite natural beauty and hardy local culture. Place is really important to us. Not only physical place, but the place created in a piece of writing. The feeling of being rooted in any somewhere grounds our work. If your work expresses or includes a significant tie to a significant somewhere, we are bound to love it. You and your work do not necessarily need a tie to a Michigan location, but we do appreciate work that fits Michigan-like themes or motifs. We consider short fiction or creative nonfiction up to 3,000 words, or up to 4 poems. Deadline: March 1, 2023, or when we have received 300 submissions, whichever comes first. www.michwriters.org/dunesreview/dunes-review-submission-guidelines/

Gulf Coast  Stories and essays should be no more than 7,000 words. Send up to 5 poems per submission. Gulf Coast typically commissions book reviews, but unsolicited reviews are accepted and occasionally published. We are particularly interested in reviews of first or second books. Interviews should not exceed twelve pages. Deadline: March 1, 2023. http://gulfcoastmag.org/submit/

Barrow Street BS is a nonprofit literary arts organization that was started in Greenwich Village, NYC in 1994. Submit up to five manuscript pages. Response time is one week to four months. Deadline: March 31, 2023. http://barrowstreet.org/press/submit/

Raleigh Review General submissions are open from January through March for Poetry. Send up to 5 poems. Deadline: March 31, 2023. https://www.raleighreview.org/submit.html 

Salamander Published biannually, Salamander features poetry, fiction, and nonfiction. Submit no more than five poems at a time, OR one story or memoir at a time, OR up to three flash pieces in either fiction or nonfiction. Deadline: April 1, 2023. https://salamandermag.org/how-to-submit/

Asheville Poetry Review  APR is an annual literary journal that publishes 180–220 pages of poems, interviews, translations, essays, historical perspectives, and book reviews. Send 3–6 poems of any length or style. We are open for regular submissions from January 15 through July 15, 2023. http://www.ashevillepoetryreview.com/submissions

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Submission Calls for Writers 8/9/2022

Thanks and welcome to those of you who’ve recently subscribed to my blog. If you’re not yet subscribed, I hope you’ll go back and check out some recent posts such as A.E. Hines’ poem Waiting for the Diagnosis as well as his prompt based on his poem.

A lot of journals and magazines are opening up now that schools are also starting back. This month, I’ve compiled a list of a dozen opportunities for writers in every genre. So take advantage of the timing and send them some work.

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Anomaly CALL FOR BLOG & FEATURE WRITERS  We’re looking for writers who are interested in contributing in an ongoing manner to the Anomaly Blog, either by proposing a column or series, or by joining a team of staff writers who both pitch and take on assigned pieces for the blog. We are particularly interested in writers to focus on reviews, interviews, and profiles of artists and writers; and in getting pitches for columns or series that focus specifically on a particular artistic or writing community within the purview of our expanded mission. If you are interested, please send an email to Features & Reviews Editor Sarah Clark [sarah (at) anomalouspress (dot) org] with a paragraph about what you’re interested in writing about and your CV attached. https://anmly.org/calls/

Bodega  Bodega releases digital issues on the first Monday of every month, featuring poetry, prose, and occasional interviews by established and emerging writers. Submit up to 3 poems or up to 3000 words of fiction or nonfiction. http://www.bodegamag.com/about  

Lime Hawk Lime Hawk, a quarterly independent online journal of culture, environment, and sustainability, seeks new, unpublished submissions of short fiction, creative nonfiction, poetry, and visual art. No deadline to submit. No reading fees. www.limehawk.org/journal

Four Way Review  FWR accepts poetry and fiction from both established and emerging authors. We look for work that demonstrates fine attention to craft while retaining a powerful and compelling voice.  We want writing that showcases the imagination’s unique ability to refine the raw materials of human experience. Unsolicited submissions are considered year round. Submit 3-5 poems or up to 6,000 words of fiction in a single document.  http://fourwayreview.com/submit-3/

CRAFT  Our creative categories are open year-round to any emerging or established author. For flash fiction and flash creative nonfiction, send work up to 1,000 words. For short fiction or creative nonfiction, send work up to 6,000 words. We will also consider previously published creative work. We pay our authors $100 for original flash and $200 for original short fiction and creative nonfiction. https://www.craftliterary.com/submit/

BULL   We are dedicated to examining and discussing modern masculinity: what works, what doesn’t, what needs to change and what needs to go. We’re in quickly shifting times and more than ever this conversation is crucial. We want fiction and essays that engage that conversation from every angle from men and women, gay and straight, Americans and citizens of the world. Everybody has a stake in making men better and, by proxy, culture as a whole. We want stories of exemplary masculinity, cautionary tales, accounts from every possible perspective and persuasion. https://mrbullbull.com/newbull/submit/

2022 University of New Orleans Press Publishing Lab Prize  We are looking for the best unpublished novel or short story collection. The Publishing Laboratory at the University of New Orleans seeks to bring innovative publicity and broad distribution to authors. We collect submissions through August 31, 2022, deciding on 15-20 finalists. The finalists are read by students from The Publishing Laboratory in the fall, and one is chosen for publication. The work does not have to be regionally focused. There is no word limit. There is no limit on subjects covered. https://unopress.submittable.com/submit

Another Chicago Magazine  We’re open through August 31, 2022, for poetry, fiction, nonfiction, reviews, and translations on the theme of Trans/formation. (Trans/formation: shifting, fluidity, change, and rediscovery in all forms, big and small. Consider how trans/formation raises the ideas of both a continuing process of becoming, and of some kind of coalescence. What does trans/formation mean to you?) We have no restrictions on length or style. https://anotherchicagomagazine.net/submissions/

Apple Valley Review  Apple Valley Review is currently reading submissions of poetry, personal essays, and short fiction. Several pieces from the journal have later appeared as selections, finalists, and/or notable stories in Best American Essays, Best of the Net, Best of the Web, and storySouth Million Writers Award. We accept poetry, short fiction, flash fiction, and essays. Submissions are read year-round, but the deadline for the fall issue is September 15. http://www.applevalleyreview.com/ 

Cream City Review  We devote ourselves to publishing memorable and energetic fiction, nonfiction, poetry, and artwork which represent a broad range of creators with diverse, unique backgrounds. Both beginning and well-known writers are welcome. We are currently reading for our Fall/Winter Issue from now through November 1, 2022. For Fiction and Nonfiction, send fewer than twenty double-spaced pages. We are interested in dynamic, well-crafted nonfiction, including creative journalism, personal essays, travelogues, flash, and polemics. We seek book reviews of any CCR-published genre and relevant author interviews. Please submit no more than five poems at a time. https://uwm.edu/creamcityreview/general/

Scholarships & Fellowships Available for the 2023 Eckerd College Writers’ Conference: Writers in Paradise  Located on the coast of the picturesque Boca Ciega Bay in St. Petersburg, Florida, Eckerd College Writers’ Conference: Writers in Paradise offers an intimate experience of workshop classes in Crime & Suspense, Memoir, Non-fiction, Novel, Poetry, Structure, Short Story and Historical Fiction, along with craft talks, panel discussions, Q&As, readings, book signings, and receptions with our award-winning faculty and lecturers. The workshop is scheduled for January 14 – 21, 2023. Deadline is November 1, 2022. www.writersinparadise.com

Outlook Springs Send us stories we can’t put down. Our emphasis is literary fiction, but we aren’t biased against genre. Send poems that ooze with sonic pleasure and stagger from line-to-line with an animated corpse’s lingering bravado. As for nonfiction, send us your travel narratives, your lyrical essays, your personal essays, and everything in between. If it’s real, if it’s interesting, if it’s well-written and gives us a new and exciting way to see the world (or – even better—inside your head), then we’ll publish it. Our current reading period ends December 14, 2022. http://outlooksprings.com/

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Thanks for reading. Please feel free to share these opportunities with other writers. If you’re not already receiving these posts directly to your inbox, please visit my wordpress site and subscribe.

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Submission Calls for Writers 7/14/2022

It’s been nice this month to have heard from a few different blog readers. I still owe responses to a few of you. Please know they’re coming. It’s always great to hear from anyone following the blog. Please know how happy I am if you find the content here useful to you and your writing.

It’s easy to forget about submitting in the summer. Many university journals close during the summer break, but many are still open. In this post, I’m sharing a list of 10 opportunities that range from journal to book publication. There should be something here for everyone.

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The Peauxdunque Review Whether your podunk is a small town in Alabama, middle-of-nowhere-Indiana, a working-class block of slab-houses in New Orleans East, piney-wooded East Texas, a Tennessee hill or holler, or an Atlanta apartment house, send us your expression to the world. Fiction and nonfiction should be no longer than 7500 words. Flash fiction should be no longer than 750 words. Please send no more than 3 poems per submission. https://peauxdunquereview.com/

Image We welcome unsolicited submissions and consider all submissions carefully. We produce two publications: Image, a quarterly journal, and Good Letters, a daily blog. All the work we publish reflects what we see as a sustained engagement with one of the western faiths—Judaism, Christianity, or Islam. That engagement can include unease, grappling, or ambivalence as well as orthodoxy; the approach can be indirect or allusive, but for a piece to be a fit for Image or Good Letters, some connection to faith must be there. Please submit no more than five poems or ten pages total. For fiction and nonfiction, we have an upper limit of approximately 6,000 words. We rarely publish stories or essays under 3,000 words. https://imagejournal.org/journal/submit/

New Orleans Review For web features, New Orleans Review seeks fiction, nonfiction, poetry, and book reviews. Submit fiction and nonfiction pieces up to 5,000 words. Flash pieces welcome. Submit up to five pages of poems. We are looking for reviews of books (all genres) forthcoming or published in the last year. Query us if you’d like to submit or propose an interview. http://www.neworleansreview.org/submit/

Virginia Quarterly Review Submissions are open through July 31, 2022. Submit poetry of all types and length, short fiction between 2,500–8,000 words, and nonfiction between 3,000–7,000 words. We are generally not interested in genre fiction (such as romance, science fiction, or fantasy). We publish literary, art, and cultural criticism; reportage; historical and political analysis; and travel essays. We publish few author interviews or memoirs. In general, we are looking for nonfiction that looks out on the world, rather than within the self. Submissions are limited to one prose piece and four poems per reading period. https://www.vqronline.org/about-vqr/submissions

2023 Howling Bird Press Nonfiction Prize  Howling Bird Press, the publishing house of Augsburg College’s MFA in Creative Writing, seeks submissions for its 2023 Book Prize in Nonfiction. The press welcomes innovative, original work from established and emerging authors. Recommended length is between 20,000 and 60,000 words long although exceptions are permissible. The competition is open to all writers in English, whether published or unpublished. Author of the winning manuscript receives a cash award of $2,500, which serves as an advance, with book subsequently published by Howling Bird Press under a standard book contract. There is a $25 entry fee. Submit through July 31, 2022. https://augsburghowlingbirdpress.submittable.com/submit

The Boiler  The Boiler began in 2011 by a group of writers at Sarah Lawrence College. We publish poetry, fiction, and nonfiction on a quarterly basis. We like work that turns up the heat, whistles, and stands up to pressure.  Our writers include authors such as Thomas Lux, Bruce Bond, Joseph Millar, Cynthia Cruz, Emma Bolden, Marina Rubin, Paul Lisicky, Raena Shirali, and others.  Our current reading period extends through August 15, 2022. http://theboilerjournal.com/guidelines/   

Gold Line Press & Ricochet Editions Gold Line Press and Ricochet Editions are sibling presses run by students of the University of Southern California’s PhD Program in Creative Writing. Ricochet will be open to hybrid manuscript submissions through July 31 2022. Gold Line will be open to chapbook submissions in fiction, nonfiction, and poetry from August 1 to September 30, 2022. https://goldlinepress.submittable.com/submit

Bat City Review BCR is published annually. Submissions are open through September 15, 2022, with responses typically sent within two months of receiving a submission. We are interested in poetry, fiction, creative non-fiction, art, and cross-genre pieces that experiment with language, form, and unconventional subject matter. We also welcome traditional styles as well as translations. Send us writing that plays, that strikes out, that enjoys itself, that makes its own rules. http://www.batcityreview.org/submit

Ponder Review Ponder Review is a student-run publication of the MFA program at Mississippi University for Women. We welcome fiction, flash fiction, creative nonfiction, poetry, short plays, new media & visual art. Our current reading period runs through September 15, 2022. https://www.muw.edu/ponderreview/submit

I-70 Review The I-70 Review welcomes submissions of poetry and fiction through December 31, 2022. For poetry, submit 3-5 poems of 40 or fewer lines. Fiction and flash fiction should not exceed 1500 words. Publication of I-70 Review is annually in the fall. http://i70review.fieldinfoserv.com/submissions.html

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Thanks for reading. Next week, I’ll share my recent conversation about writing and publishing with Tony Taddei, author of The Sons of the Santorelli. To receive posts like these directly in your inbox, subscribe here:

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Submission Calls for Writers 6/2/2022

One of my top priorities for the month of May was to compile a list of submission calls to share here. If you have followed my posts for a while (and if you’ve only recently subscribed, thank you and welcome), then you may be aware that there was no list last month. I build these lists in part to share with writers, but I also depend on the process to ensure that I’m submitting my own work. Anytime that I haven’t shared a list, it’s a safe bet that I probably haven’t been submitting either. Such is life, I suppose. But I like to be intentional about these kind of priorities. So here, finally, is a list of journals, presses and contests open this month. Good luck submitting!

Carolina Quarterly The Carolina Quarterly welcomes unsolicited submissions of poetry, fiction, nonfiction, and visual art. Submissions are accepted year round. As of Winter 2020, we pay contributors to our print volumes $50 upon publication, plus a free copy of the issue in which the work appears. Submit no more than 6 poems at a time. Submit no more than one prose piece, per genre, at a time. We charge a $2.50 submission fee. https://thecarolinaquarterly.submittable.com/submit

Kestrel Kestrel is now accepting submissions year-round. Kestrel publishes fiction, poetry, and creative nonfiction by established and emerging writers. We are especially happy to publish work by West Virginia and Appalachian writers. Kestrel features reviews and visual art in each issue. All accepted work is for the print publication; select work may be featured on our website. Kestrel submits each issue to Verse Daily, Poetry Daily, and Vox Populi, and, therefore, work published in Kestrel may be chosen for reprint in those venues. https://www.fairmontstate.edu/kestrel/submission-guidelines

Monologging For Monologging’s Autumn 2022 edition we are seeking stories and artwork that explore the theme of Influence. Who influences us? What compels a person to urge another to follow their lead, and when we follow? What questions of morality arise from these relationships? Our 2022 edition will be an exploration of the realms of influence, a profound meditation on evolving online ethics and etiquette as well as a quest to celebrate the lives of friends, neighbors, loved ones and mentors who have been our most devoted anchors, advocates, muses and guides. http://monologging.org/submit/

32 Poems We welcome unsolicited poetry year round and accept simultaneous submissions.  As a rule we publish shorter poems that fit on a single page (about 32 lines), though we sometimes make exceptions to accommodate remarkable work that runs a little longer.  We charge a $3 reading and processing fee. http://www.32poems.com/submission-guidelines

Florida Review & Aquifer: The Florida Review Online We are looking for innovative, luxuriant, insightful human stories—and for things that might surprise us. Please submit no more than one piece of fiction, nonfiction, graphic narrative, review, or digital story at a time. Poets and visual artists may submit up to (but no more than) five poems or artworks as a single submission. We charge a $2 or $3 submission fee depending on category. https://floridareview.submittable.com/submit

2022 New American Fiction Prize The New American Fiction Prize is awarded each year to a full-length fiction manuscript, such as a story collection, novel, novella(s), or something that blends forms, like a novel in verse. The winner receives $1,500 and a book contract, as well as 25 author’s copies and promotional support. Final judge is Weike Wang, the author of Joan Is Okay (Random House 2022) and Chemistry (Knopf 2017). Deadline is June 15, 2022. There is a $25 submission fee. https://newamericanpress.com/category/new-american-fiction-prize/

Los Angeles Review The Los Angeles Review is open for general submissions year-round. (Submissions for the Los Angeles Review Awards are open through June 30, 2022.) Send fiction, flash fiction, poetry, creative nonfiction, translations and book reviews. We charge a $3 submission fee. http://losangelesreview.org/submission/

Cheap Pop Cheap Pop is open for submissions during the month of June. We’re looking for your best work in 500 words or less—please, nothing greater than that. We don’t differentiate between Fiction, Creative Nonfiction, and anything in-between, nor do we have restrictions on genre—if it pops, it pops! What we want to see is good writing, your best writing, and that’s it.  Please note: CHEAP POP does not publish poetry, so please do not send it. Deadline: June 30, 2022. http://www.cheappoplit.com/submit

Black Lawrence Press Through our annual contests and open reading periods, we seek innovative, electrifying, and thoroughly intoxicating manuscripts that ensnare themselves in our hearts and minds and won’t let go. During our June open reading period, we accept submissions in the following categories: novel, novella, short story collection (full-length and chapbook), poetry (full-length and chapbook), biography & cultural studies, translation (from the German), and creative nonfiction. We also enthusiastically accept hybrid submissions. https://blacklawrencepress.submittable.com/submit

Alien Magazine Alien Magazine is currently open for all types of fiction, nonfiction, poetry, and visual art submissions. We are nice people; don’t be afraid to send us anything. We are not a science fiction magazine, though we are open to SF work. By “Alien” we mean “outsider” or anything that exists outside the societal norm. Deadline for Fiction and Poetry: July 1, 2022. https://alienmagazine.submittable.com/submit

The Orison Chapbook Prize We are accepting submissions through July 1, 2022, of chapbook manuscripts (20 – 45 pp.) in any genre (poetry, fiction, nonfiction, drama, or hybrid) for The Orison Chapbook Prize, judged by Orison Books founder and editor, Luke Hankins. The winner will be awarded publication, a $300 cash prize, a 2-year Duotrope membership ($100 value), and 20 copies of the chapbook, in addition to a standard royalties contract. We plan to announce the winner and finalists by October 15, 2022. Submission fee is $12.00. https://duotrope.com/duosuma/submit/orison-chapbook-prize-6T0fK

Asheville Poetry Review We are open for regular submissions through July 15, 2022. Please send 3–6 poems of any length or style. http://www.ashevillepoetryreview.com/submissions

Thanks for reading. In the coming weeks, I’ll share my conversations about writing and publishing with Patti Frye Meredith and Tony Taddei. To receive posts like these directly in your inbox, subscribe here:

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Submission Calls for Writers 3/9/2022

For those of you who aren’t in submission mode but are rather needing some inspiration for generating work, I hope you will refer to some of my recent blog posts. Since my last list of submission opportunities, I’ve posted conversations with Lauren Davis and Walter Robinson about their new books. I’ve also posted generative writing exercises (Exercise 22.3 and Exercise 22.4) from both writers. And I’m looking forward to speaking with additional writers in the next few weeks.

As I’ve been collecting and organizing this list of opportunities today, I’ve been thinking a lot about the AWP Conference that is coming up in Philadelphia at the end of the month. I’m planning to be there along with the other EastOver Press editors. If you’re going to be at AWP, I hope you will let me know or at least stop by our small corner of the bookfair to say hello.

Until then, here are a dozen submission opportunities for writers. There’s something here for you regardless of what genre you’re writing in. So happy submitting, and good luck!

The Madison Review The Madison Review accepts  poetry, fiction, and art submissions during our reading period. We publish two issues, one online in fall and one physical in the spring. Fiction submissions should be no longer than 30 pages. Send up to 5 poems. https://madisonreview.submittable.com/submit

Sepia Journal Sepia is committed to showcasing the work of both emerging and established artists. We are open to submissions all year, and we aim to reply to all submissions within three months. We welcome submissions of both fiction and creative nonfiction. We prefer work that is below 8,000 words long. Submit up to five poems at a time. https://thesepia.org/submission-guidelines

Real Karen Fiction Contest Got a great original story that includes a well-written character named Karen? We welcome flash fiction, multiple submissions, simultaneous submissions, and work that has been published elsewhere for which you hold the copyright. We prefer not to publish work from authors who use and or have used the word “Karen” as a slur in their other writing. Stories should be less than 8,000 words in length. https://www.therealkaren.com/inspired-fiction/submit-your-fiction

Berkeley Fiction Review The Berkeley Fiction Review is a forum for short fiction, published annually. We invite submissions of previously unpublished short stories from around the country and the world year-round. There is no minimum required page count, but submissions should not exceed 30 pages in length. https://berkeleyfictionreview.org/submit/short-fiction/

Movable Type: 1455’s E-Magazine 1455’s Movable Type publishes every other month. Each issue provides a forum for a diverse array of poets, masters of prose, essayists, educators and anyone with passion for written expression. Each issue revolves around a theme. Please see the themes for 2022 and send your original work. https://1455litarts.org/movable-type/

Cortland Review TCR considers poetry, translations, book reviews. We accept simultaneous submissions, but kindly ask that you notify us as soon as possible when you have placed submitted work elsewhere. Submit  up to 5 poems at a time. https://www.cortlandreview.com/submissions/

Salvation South Salvation South accepts submissions in two broad categories: stories that address critical issues facing the South and stories that celebrate the culture of the South. In our submission form, you will find several more specific options. Please choose the one that best applies to your submission. We also accept Southern short fiction and poetry. https://salvationsouth.submittable.com/submit

Rust and Moth We are accepting submissions for the Summer 2022 issue. At this time, we publish only poetry. Submit up to three poems in any style. Deadline: March 31, 2022. https://rustandmoth.com/submissions/

Split Lip Review Split Lip Review is a literary journal of voice-driven writing with a pop culture twist. We publish online monthly and in print yearly. We accept fiction between 1,000 and 5,000 words, flash fiction under 1,000 words, and memoir up to 2,000 words.  We accept only one (yes, just one) poem at a time. Please do not send us more than one poem. Send your best poem, but only one. We mean it. Submissions are free through the month of March. https://splitlipthemag.com/submit

Passages North Passages North is open to submissions of poetry, short-shorts, nonfiction, and hybrid work from through April 15, 2022. Please submit a packet of 1-5 poems. Send up to three short-shorts or five mircos (fiction, nonfiction, prose poems, hybrids). We’re looking for all manner of well-written, innovative creative nonfiction (up to 8000 words) including, but not limited to, lyric essays, personal essays, memoir, and literary journalism. https://www.passagesnorth.com/submit

Posit Journal Posit is currently considering submissions for 2023. Send 1-3 pieces of prose, including fiction and hybrids, but no nonfiction please, 1000 words or less each. However, if you are submitting very short pieces, please send us at least three to choose from. Please include a minimum of five and a maximum of six poems for us to consider. Deadline: June 15, 2022. https://posit.submittable.com/submit

Rhino Our diverse group of editors looks for the best-unpublished poems, translations, and flash fiction/nonfiction by local, national, and international writers. We welcome all styles of writing, particularly that which is well-crafted, uses language lovingly and surprisingly, and feels daring or quietly powerful. Send 3-5 poems or flash fiction/nonfiction pieces (500 words or fewer), totaling no more than 5 pages. Submissions are open until monthly caps are reached through June 30, 2022. https://rhinopoetry.org/submit-1

Writing Exercise 22.4

If you missed my previous post, please check out my conversation with Walter M. Robinson about his new essay collection What Cannot Be Undone—True Stories of a Life in Medicine. Also yesterday, What Cannot Be Undone was included in Kathleen Stone’s list of Eleven Over Sixty over at LitHub. Now, I’m sharing a writing exercise that Walter shared with me.

Writing Exercise 22.4: Everyone has experiences in a waiting room, whether a physical room at the doctor’s office or a virtual room before a Zoom call. Many stories start or end in a waiting room: Flannery O’Connor’s Mrs. Turpin waits in a doctor’s office filled with people she disapproves so openly that one of them disapproves of her right back by smacking her with a textbook, and Anthony Perkins hopes to impress the police that he is harmless at the end of Psycho, saying, “I’m not even gonna swat that fly.”

Describe a waiting room, real or imagined, in as much detail as necessary to create the beginning or end of a story.

Walter’s writing prompt triggered the memory of Elizabeth Bishop’s famous poem, In the Waiting Room, and when I searched for it online, I came across a poem by Thomas Hardy that I’d never read before but that uses a similar title, In A Waiting-room.

I love this prompt because waiting rooms, although they can be incredibly unique from each other, have a universal quality that readers can immediately connect with. I’m so grateful to Walter for taking the time to talk about his writing and for offering this exercise. I’m anxious to try it myself.

Please buy Walter’s new book, What Cannot Be Undone—True Stories of a Life in Medicine, available from University of New Mexico Press, online retailers, and your local bookstore.

Conversation with Walter M. Robinson

Walter M. Robinson is a writer and physician. Originally from Nashville, Tennessee, Walter now lives in Massachusetts. His collection of essays, What Cannot Be Undone—True Stories of a Life in Medicine, won the River Teeth Book Prize for 2020 and was published by University of New Mexico Press. Walter has been a fellow at MacDowell and Yaddo and was a PEN-New England “New Discovery in Non-Fiction.”

What Cannot Be Undone relates stories from a lifetime of professional experience, primarily working with cystic fibrosis patients. That experience expertly shows the complexity of cystic fibrosis, of the body in general, and of the inner workings of the mind and soul of a medical professional. Among the many aspects of Walter’s work, I admire how he is able to break down complicated medical information so that I, as a lay person, am able to understand it. Walter also served as a medical/hospital ethicist, and the ethical questions—about why and how a person is treated—are some of my favorite parts of these essays.

Walter and I first met as students in the Bennington Writing Seminars, and now we work together as editors at EastOver Press and Cutleaf. Walter agreed to answer some questions about What Cannot Be Undone as well as about the writing and publishing process. Come back tomorrow for a writing exercise inspired by Walter’s work in non-fiction.

DL: The full title of your book is What Cannot Be Undone: True Stories of a Life in Medicine, and yet, you explain in the book’s foreword that you’ve relied on an imperfect memory to write these essays. Can you talk about the challenge of relying on memory in nonfiction, some of the workarounds, and what added measures you took to protect the privacy of patients?

WR: Everything in the book is just as I remember it, but I acknowledge in the foreword that others might remember these events differently than I do. Everyone’s memory is imperfect because we only notice fragments of any event while it is happening, and as time passes, the act of remembering brings some things into sharper focus while others fade away. This is the fallible nature of human memory.

I chose the term “true stories” because these essays are not case reports or journalistic accounts, but nor are they fiction. I wrote them in a style that tries to give life to my experience as a doctor rather than simply recounting a clinical case. Medical case reports never use the first person, but I use it in some of these essays to accentuate that the story is about my perspective. In other essays I use the third person to remove myself somewhat as a character, while in still others I use third person to emphasize how I see myself in the past as a very different person. None of these approaches are typical in medical reports, so it seemed like the term “true stories” was the best fit.

I changed the identifying details of patients and families because I didn’t want my version of events to crowd out the families’ or patients’ versions. I was just one doctor among many, and I was often present at a very difficult part of their lives. I hope the story they live with now is not about me but about their loved one.

One way a nonfiction writer can address natural flaws of memory is to acknowledge in the essay that his version of events is not necessarily the only accurate account, as I did in “Nurse Clappy Gets His.” Another way is to take care not to re-configure the story to make himself look smarter, wiser, or kinder than he was in the moment. I hope I succeeded in that. As I wrote in the foreword, I am “no hero, no wizard, no saint.”  

DL: At the time we met, your goal was to find a way to write about your experiences as a doctor, particularly one who worked with cystic fibrosis patients. So it seems like What Cannot Be Undone is the successful answer to that pursuit. Is this book exactly as you imagined it?

WR: I didn’t call myself a writer when I started at Bennington, though I had written scores of academic papers. I had finished about 60% of what I called a “social history” of cystic fibrosis. It was overly academic and unbearably dull. I knew it, and anyone who tried to read it knew it. Thank goodness my teacher at Bennington, Susan Cheever, told me at our very first meeting, “Walter, this is terrible, just start over.” I will forever be grateful to her for that advice because it saved me from trying to rescue something that wasn’t worth the effort.

And while I started over, I followed the Bennington method: Read one hundred books to write one. Pay close attention to the work of others. Read the work of the past in order to make the work of the present. Gather up the tools of art to see if they fit your own work. What a gift those reading lists have been to me!

By the time I finished I had some idea of what I was doing, and I’ve just kept at it. So I’d say this book is the descendent of that early draft, but they have very little in common. Or at least I hope so.

DL: The essays in What Cannot Be Undone describe traumatic events, particularly for the patients whose lives you write about. But what has always been clear to me in reading your work is that you as a medical professional have carried much of that traumatic history with you. Do you have advice for writers writing about their own trauma?

WR: I think of my work as a doctor as meaningful, moving, difficult, exhausting, and completely absorbing. Yes, it was sometimes heartbreaking, but sometimes it was joyful. I loved being a doctor most of the time, even though I worked mostly with patients with life-limiting illnesses. I admit that I am a person who concentrates more than most on the tragic aspects of human life, and many of the stories in this book end with the death of a patient because being at the bedside of these patients may be the most meaningful work I have ever done.

In the most personal essays in the book, “The Necessary Monster” and “White Coat, Black Habit,” I write about my work in a way that most doctors keep private. I try to bear witness to my uncertainty about my value as a doctor and a human.

I think anyone trying to write about difficult experiences should be as honest as they can but also hold things in reserve. Not every part of a life should be open to public view.

DL: In my recent conversation with Lauren Davis, she said that it took her about five years and 48 rejections before she found a publisher for her first full-length collection of poems. How long did it take you to write and shape these essays? What was the submission and publication process like for What Cannot Be Undone?

WR: I worked on these essays much longer than I work on essays now because I was learning how to write while I was writing this book. I revised all of them over and over and started over with a blank page many times. I’ve gotten much faster over the years, especially in knowing what is not working and starting over.

Once I had enough essays for a book, I submitted the manuscript to an agent and was floored when she said “yes.” I thought it would be smooth sailing from then on, but eighteen months later most of the publishers had not replied. I thanked the agent for her time, and I gave up.

But then two friends from Bennington—one of them you––told me about contests for manuscripts run by journals, and so I submitted it to as many contests as I could find.  A year later, I had gotten form rejections from every single contest. I thanked my two friends, and I gave up, again.

I told myself, “This is no tragedy. You learned so much by writing these essays. This is your second career, and you started in your late fifties. What did you expect? Time to move on to something else.”

As is so often the case, I was wrong again. I thought I had gotten rejections from every contest, but one day I got a call from an unknown number. I didn’t pick up; surely it was those people who are so worried about my warranty expiring, right? But no, the voicemail was from the very kind editor at River Teeth, telling me I had won their Literary Nonfiction Prize. I smiled so hard the rest of that day my face hurt.

After winning the Prize, the publication process was a breeze. The folks at University of New Mexico Press have been delightful and kind to a first-time author. I didn’t count the number of rejections, but I wrote the first very rough draft of one of the essays, “Nurse Clappy Gets His,” in July 2012, and the book came out in February 2022. So it took about ten years.

DL: What are you working on now?

WR: I have been working on two projects. One is another essay collection about medicine and medical ethics tentatively titled “Deciding the Fate of Others.” The other is a more speculative book about the lives my ancestors did not lead so that I might be here to write a book. 

DL: Are there any opportunities coming up for readers to meet you or study with you via zoom or in person? (workshops, readings, interviews, AWP?)

WR: I’ll be at AWP with EastOver Press and Cutleaf, so please stop by our booth and say hello if you’d like to talk about the book. And I am happy to try to arrange readings or other interviews or talks about the book, over Zoom or in person. Contact me at words (at) wmrobinson (dot) com.

* * *

My next post will feature a writing exercise inspired by one of Walter M. Robinson’s essays in What Cannot Be Undone—True Stories of a Life in Medicine.

Submission Calls for Writers 2/8/2022

This has been a hard winter, in large part because we’ve all been enduring a difficult two years. When the weather is as cold as it’s been, I especially want to do nothing but hibernate. But yesterday and today, the sun has felt a little stronger, and I’m finding just enough energy to think about the future. That includes finding the courage to submit new work. In that vein, here are a dozen submission opportunities for writers. There’s something here for you regardless of what genre you’re writing in. So happy submitting, and good luck!

The Barcelona Review     The Barcelona Review is presently accepting submissions for previously unpublished short fiction, articles and essays. We do not accept poetry submissions. Submit one story at a time for consideration to the editor. Word length: 4,500 words max. Articles/Essays should be related in some way to the world of books and writing; creative non-fiction (e.g., personal essays) that fits with the review is welcome. Word length: preferably under 3,000 words. https://barcelonareview.com/mis/subguide.htm

The Manifest-Station     We are looking for honest writing that has heart. We want to be moved. Nonfiction submissions should be no longer than 3,000 words. Fiction submissions should be no longer than 5000 words. http://themanifeststation.net/submissions/

Regal House Publishing     We are currently seeking manuscripts within the genres of literary fiction, contemporary fiction, historical fiction, and memoirs. For submissions, please send us: A query letter, a one-page synopsis of your story, and the first three chapters of your novel or the first fifty pages, whichever is more. https://www.regalhousepublishing.com/submissions/

Barrow Street     We are currently open for poetry submissions. There is a $3 charge per submission. Submit up to five manuscript pages. http://barrowstreet.org/press/submit/

Western Humanities Review     Western Humanities Review accepts unsolicited submissions of original poetry, fiction, nonfiction, hybrid work, audio/visual work, essays, and reviews year round. Because of the volume of submissions we receive, we are only able to publish about 2% of them—so please send us your best work. We’re looking for dynamic writing that engages, surprises, and moves us, work that is, in fact, out to get us. http://www.westernhumanitiesreview.com/submissions/

Valparaiso Fiction Review     Publishing since 2011, Valparaiso Fiction Review is a biannual publication of Valparaiso University and its Department of English. Valparaiso Fiction Review is seeking submissions of short stories for its upcoming 2019 issues (Summer & Winter). Submissions to VFR should be original, unpublished works that range from 1,000 to 9,000 words. There is no set deadline, and submissions are considered on a rolling basis. Current and archived issues of the journal can be found online. https://scholar.valpo.edu/vfr/guidelines.html

Orange Blossom Review     We are excited to announce the open call period for submissions to Orange Blossom Review, the peer-reviewed, digital-format literary journal of the Florida College English Association. OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to five poems. Deadline: February 15, 2022. https://orangeblossomreview.org/

Echolocation     For the very special 20th (!) volume of Echolocation, the theme is Everything Is Free – an aptly contradictory idea for this year (2021-2022). Our theme calls for writing that explores the costs of being alive, in whatever way you may interpret this; let the theme serve as a springboard to loosely guide your submission. We want you to send us your writing, no matter how subtle, explicit or tenuous the connection may appear.  Please submit 1 or 2 pieces of prose, or 1-4 poems, or 1 piece of prose and 1-2 poems. Submissions close March 1, 2022. https://www.echolocationmagazine.com/submit

Embark     Embark is a literary journal designed for novelists, and features the openings of unpublished novels. The opening of your novel should be a minimum 2,500 words and a maximum 4,000 words. The novel in question must be unpublished at the time of submission. Submissions received by March 1, 2022, will be considered for our sixteenth issue, which will be released in April 2022. https://embarkliteraryjournal.com/submissions/

Orange Blossom Review     We are excited to announce the open call period for submissions to Orange Blossom Review, the peer-reviewed, digital-format literary journal of the Florida College English Association. OBR publishes innovative poetry, short fiction, creative nonfiction, and visual art. Submit short fiction and creative nonfiction up to 5,000 words. Submit up to five poems. Deadline: February 15, 2022. https://orangeblossomreview.org/

Salamander     Salamander, which is published biannually, features poetry, fiction, and nonfiction. Submit no more than five poems at a time. Submit one story or memoir at a time, or up to three flash pieces in either fiction or nonfiction at a time. Our current reading period closes April 1, 2022. http://salamandermag.org/how-to-submit/

Bennington Review     Bennington Review is published twice a year in print form, Summer and Winter. For poetry, please send no fewer than three and no more than five poems per submission. For fiction and creative nonfiction, please send no more than thirty pages per submission; any excerpts from a longer project must work as self-contained essays or stories. Our current reading period will end on May 8, 2022. http://www.benningtonreview.org/submit/

Submission Calls for Writers 2/14/2021

submissions

This Valentine’s Day is maybe the coldest I ever remember. If you’re stuck inside, I hope this list of journals and contests will inspire you to start submitting. Until next time, stay safe and stay warm.

Litbreak
Writers are invited to submit prose and poetry to Litbreak, an online literary journal that publishes poetry, fiction, book reviews, and essays on literary subjects. All prose submissions should range from 500 words to a maximum of 5,000 words. Submission is open year-round. We pay all contributors on a case-by-case basis from $25 upward. There is no submission fee. With regard to fiction, there are no specific requirements on style and content. Some literary sites suggest you look at what they publish to get an idea of what they would accept. We would rather suggest that you look at what we have published and come up with something else. We will consider excerpts from novels. For book reviews, although we are paying special attention to contemporary releases, we won’t rule out reviews of older books or critical surveys of a writer’s body of work. For poetry, we suggest but don’t require a minimum of one hundred words. We may also accept essays on literary subjects or ideas.
https://litbreak.submittable.com/submit

Western Humanities Review
Western Humanities Review accepts unsolicited submissions of original poetry, fiction, nonfiction, hybrid work, audio/visual work, essays, and reviews year round. Because of the volume of submissions we receive, we are only able to publish about 2% of them—so please send us your best work. We’re looking for dynamic writing that engages, surprises, and moves us, work that is, in fact, out to get us.
http://www.westernhumanitiesreview.com/submissions/

Bearings Online
Bearings Online is accepting poetry submissions. We are seeking clear, accessible poetry (30 lines or less) that addresses faith, culture, or what it means to be human. Submit as a Word document to poetry editor Susan Sink: ssink (at) collegevilleinstitute (dot) org.
https://collegevilleinstitute.org/bearings/submission-guidelines/

Valparaiso Fiction Review
Publishing since 2011, Valparaiso Fiction Review is a biannual publication of Valparaiso University and its Department of English. Valparaiso Fiction Review is seeking submissions of short stories for its upcoming 2019 issues (Summer & Winter). Submissions to VFR should be original, unpublished works that range from 1,000 to 9,000 words. There is no set deadline, and submissions are considered on a rolling basis.
https://scholar.valpo.edu/vfr/guidelines.html

Booth
Booth was established in 2009. Our staff is comprised of MFA faculty and students in the Butler University graduate writing program. Booth publishes one new piece or author every Friday, square on our home page. We are now open to new submissions in all genres. All accepted work will appear on our website and may appear in our subsequent print issues. Submit up to 3 poems or up to 7,500 words of fiction or creative nonfiction.
https://booth.submittable.com/submit

Copper Nickel
Copper Nickel accepts submissions of poetry, fiction, essays, and translation folios through March 1, 2021. Please submit four to six poems, one story, or one essay at a time. For prose we do not have any length restrictions—but longer-than-normal pieces have to earn their space.
http://copper-nickel.org/submit/

Pittsburgh Poetry Journal
Pittsburgh Poetry Journal PPJ seeks work that clangs with grit, passion, and a multitude of voices. We want poems that celebrate or break traditions and strive for progress. We do not restrict our journal to Pittsburgh poets or poetry. All writers and themes are welcome! Please submit no more than three (3) poems, or seven (7) pages total. Our open reading period runs through March 21, 2021.
https://pittsburghpoetryjournal.submittable.com/submit

The Hudson Prize in Fiction / The Hudson Prize in Poetry
Each year Black Lawrence Press will award The Hudson Prize for an unpublished collection of poems or short stories. The prize is open to new, emerging, and established writers. The winner of this contest will receive book publication, a $1,000 cash award, and ten copies of the book. Prizes awarded on publication. $27 Submission Fee. Deadline: March 31, 2021.
https://blacklawrencepress.com/submissions-and-contests/

The National Poetry Review
The National Poetry Review is an annual online journal of poetry (previously a print journal published from 2003 to 2015 by our sister press, The National Poetry Review Press). Our reading period is January 1 – April 1 annually. Please submit all poems in one file. Include a brief bio with previous publications.
http://www.nationalpoetryreview.com/

Landlocked
We love found pieces, eco-poetics, works about displacement, and stories of how your body fits (or how it doesn’t) into the world. Imagism and hybrid genres, including experimental and visual works, lyric essays, and prose poems are all welcome. Please send 3–5 poems per submission with no more than 10 pages in total. We want stories of literary quality and encourage fantastic, speculative, and weird literature. Send us your most imaginative and challenging writing in 4,000 words or less. We also encourage flash fiction of 1,000 words or less. Finally, we are especially drawn to nonfiction pieces that challenge the boundaries of the genre, incorporate fictional and poetic elements, and make us question how “creative” nonfiction can be. As far as length, we prefer under 4,000 words. Landlocked is open for submissions through April 1, 2021. https://landlockedmagazine.com/submission-guidelines/

Bennington Review
Bennington Review is published twice a year in print form, Summer and Winter. For poetry, please send no fewer than three and no more than five poems per submission. For fiction and creative nonfiction, please send no more than thirty pages per submission; any excerpts from a longer project must work as self-contained essays or stories. Deadline: May 18, 2021.
http://www.benningtonreview.org/submit/

Posit Journal
Posit is currently considering submissions for late 2021 and beyond. Send 1-3 pieces of prose, including fiction and hybrids, but no nonfiction please, 1000 words or less each. However, if you are submitting very short pieces, please send us at least three to choose from. Please include a minimum of five and a maximum of six poems for us to consider. Deadline: May 31, 2021.
https://posit.submittable.com/submit 

Sunset - February 2021

Submission Calls for Writers 3/21/2020

submissions

What better time than in self-isolation to write and submit your writing? Here are 10 magazines and journals with open submission periods. They’re waiting for you to send your work, even in these strange days. So wash your hands, stay healthy, and send your words out into the world even if you’re stuck at home.

 

Whitefish Review

In these times of unexpected challenges that touch everyone (e.g., COVID-19, political unrest, sudden loss of income) we felt it was important to hear from artists and writers at this moment, so we can make sure that we are illuminating what is most vital and essential. We are seeking submissions through March 31, 2020. Send us 1 story (fiction or essay) or up to 3 poems (all in one Word document).

https://whitefishreview.submittable.com/submit/163232/25-new-work-for-the-current-times

 

11th Annual Spirit First Poetry Contest

Poetry submissions may be of any length and any style but must have a theme of Meditation or Mindfulness. Poems may reflect any discipline, any faith, or none. Poems must be previously unpublished. Poems not on the themes of meditation, mindfulness, stillness, or sacred silence will not be included in this meditation poetry event. Enter up to three submissions. Deadline: March 31, 2020.

https://www.spiritfirst.org/poetry_contest2020Entry.html

 

The Masters Review New Voices

Submissions for our New Voices category are open year round. New Voices is open to any new and emerging author who has not published a work of fiction or narrative nonfiction of novel length. All submissions must be less than 7,000 words.

https://themastersreview.submittable.com/submit/26106/new-voices-free

 

Valparaiso Fiction Review

Submissions to VFR should be original, unpublished fiction. Submissions should range from 1,000 to 9,000 words with possible exceptions. Please no novels, poetry, or children’s fiction unless otherwise noted. Excerpts from novels are acceptable only if selected piece operates as a stand-alone story. There is no submission deadline. Submissions are considered on a rolling basis.

https://scholar.valpo.edu/vfr/guidelines.html

 

Posit

Posit is interested in finely crafted, innovative literary and visual art. Submit 1-3 pieces of prose, including fiction and hybrids, but no nonfiction please. 1000 words or less each. However, if you are submitting very short pieces, please send us at least three to choose from. Please include a minimum of five and a maximum of six poems for us to consider. Deadline: April 15, 2020.

https://posit.submittable.com/submit

 

Pine Mountain Sand & Gravel

For Volume 23, we are asking for your poems, short stories, essays, flash pieces and black and white 2D art on encounters with the edge, however you define it. Unpublished work is preferred, but we aren’t sticklers. Send us your best creative work exploring Appalachian Edge. Submit up to 5 poems for one piece of prose up to 3,000 words. Deadline: April 15, 2020.

http://www.sawconline.net/pmsg-submission-guidelines.html

 

EPOCH

EPOCH magazine publishes fiction, poetry, essays, cartoons, screenplays, graphic art, and graphic fiction. In continuous publication since 1947, the magazine is edited by faculty in the Department of English Program in Creative Writing at Cornell University. For poetry, submit no more than five poems in one envelope. For fiction, submit no more than one story per envelope and no more than three short short stories per envelope. We consider fiction in all forms, short short to novella length. Deadline April 15, 2020.

https://english.cornell.edu/epoch-magazine-0?

 

Rattle Poetry

Themed Issue: “Service workers.” This may include those in the hotel, lodging, food service, tourism, or customer service industries, as well as many others. Poems may be written on any subject, in any length, but the poet must currently be, or have been, employed as a service worker for a significant period of time (years, not months). Please include a brief note about your background in the service industry and what effect it’s had on your poetry (if any). Submit up to four previously unpublished poems (or four pages of very short poems). Deadline: April 15, 2020.

https://rattle.submittable.com/submit/34383/service-workers

 

The Fiddlehead

The Fiddlehead is open to good writing in English or translations into English from all over the world and in a variety of styles, including experimental genres. Our editors are always happy to see new unsolicited works in fiction, including excerpts from novels, creative nonfiction, and poetry. Work is read on an ongoing basis; the acceptance rate is around 1-2% (we are, however, famous for our rejection notes!). A short fiction or nonfiction submission should be one story or essay, double spaced and maximum 6,000 words. Unless a story is very, very short (under 1000 words), please send only one story per submission. Please submit no more than 6 poems per submission. Deadline: April 30, 2020.

https://thefiddlehead.ca/submit

 

Birmingham Poetry Review

Unsolicited manuscripts of no more than five poems are welcomed. Pay is one copy of the Birmingham Poetry Review. Submit now through May 15, 2020.

https://www.uab.edu/cas/englishpublications/bpr/submit